Faux Bone – just what the name implies, a relatively new material, related to PVA plastic, yet non toxic and high quality. It was launched on the market by Robert Dancik, and I have had it on the workbench for months! Wanting to try shaping, sanding, carving, impressing, staining… this versatile material. So here is the first attempt:
The ceramic oval on the left is my goddess/poppet. To me She is the self, the soul, the creative muse, the feminine divine. Her shape is inspired by Cycladic idols and other ancient sculpture. I wanted to see her in faux ivory of a sort. The copper acts as a structural base for the piece, the dark rich patina of the copper setting off the subtle tones in the FB. From a design sense it serves as a halo, and allows holes at hands (for attachment to a necklace) and feet ( gemstone dangle, of course!)
(Left: Cycladic Idol, app. 2500 BCE. Right: Nile Goddess, app 3500 BCE)
I was happy with how she turned out, although I am still considering giving her breasts… I turned my focus next to me second favorite of my ceramic pendants – the lunar hare. The hare is a bit of a totem animal for me, and I am greatly inspired by the many myths of the moon hare. From so many cultures, so diverse, yet illustrating a commonality…
The crescent on the right – is polymer clay. I was baking some other pieces for the Blue Hen and I made a few crescents to test. While i like the sculptural possibilities – this one is too bulky. I think Faux bone will work best here, too. Other things in progress:
Copper and nickel silver windows/ frames. Images are sandwiched under mica, tube rivets, stamped words… This was a direct inspiration from Melissa Manley – and although she wasn’t the first to ever use this technique – it is only proper, and respectful to give credit. (Her work is amazing, and I am happy to have studied with her, and to call her a friend. ) The piece on the far left: “Such stuff as dreams are made on…” quoted from “The Tempest” – houses an image of Miranda from a painting by my favorite, John Williams Waterhouse.
The piece on the right is a bit different. It is carved wood, housing a collage. The collage is set in a plastic lens and resin. The front image is an Irish stamp, copper, and the word ‘Journey’. The back:
It is an idea I am experimenting with – crating sculptural frames for collage/lens. My text, as always, is from 200+ year old books. It is a meditation of sorts, to thumb through the yellowing pages, eyes flitting and darting, until the right words present themselves to me. Words I would not have chosen; phrases I would not have composed…
I would love to hear your thoughts, out there in the ether. Do you have a personal talisman? A totem animal?
Jenny Davies-Reazor 