Petroglyphs – the Art Elements theme reveal!

millcreekpetroglyphs-utah-y1ygup

This month Karen challenged us with… petroglyphs! Ancient, a bit enigmatic, but very inspirational.

The first one I created was a bit of a happy accident.  I was creating class samples – for class at Let’s Bead in Rochester, NY. My “Vintage Views” class was using vintage postage stamps as locals, and creating polymer surrounds that were inspired by and accentuated the stamp art. What did I find in my collection? A Norwegian stamp with petroglyphs!

I opted to keep this earthy in tone, so the red stamp would pop. And it was keeping in the theme…

IMG_0852

A simple stone/earth palette and a little texture frames this stamp. 

I am drawn to the figures most in petroglyphs. Whether they be shaman, or deities, or humans in regalia… I love them. Some horned figures bring to mind Celtic deities, like Cernunnos, the antlered Lord of the Forest. So I can relate to them in an archetypal way – from my research and heritage from Celtic lands.

I realized I had a pewter magnet – purchased in Arizona. When? Perhaps when my sister and I drove across the country and visited the Grand Canyon? Was that 2000? No matter… I conditioned some polymer…

img_0730.jpg

There are these 2 cabs, one in an earthy ochre color and the other? I do love greens. (These 2 are available. I may just “list” them on my FB page. Message me if you are interested. )

IMG_0855

This layered piece may end up stitched into a felted mixed media piece. I like the torn edge very much, and have a half formed idea of beads piercing the edges in random spaces… We shall see.

IMG_0854

But I decided to take the smallest one and really experiment. I have done 1 freeform peyote piece in my life. ( it was for a COM with a SueBeads scarab, actually). I wanted to try having the freeform grow out of the beaded bezel… In my sketch below. see the shape? Sort of a triangle.

 

I really have no idea what I am doing – and it is SO much fun! Here is as far as I have gotten… this could take a while. Queue up the Netflix – and lets bead!

IMG_0857

No one is more surprised than me… 

 

Please join my fellow AE team members and our guests for the blog hop and creative sharing!

Art Elements Team:
Lesley Watt: http://www.lesleywatt.com
Jenny Davies-Reazor: https://jdaviesreazor.com
Cathy Spivey Mendola: http://cmendola.blogspot.com
Sue Kennedy: http://www.suebeads.blogspot.com
Caroline Dewison: http://www.blueberribeads.co.uk
Laney Mead: https://laney-mead.blogspot.com/
Marsha Neal Minutella: http://blog.marshanealstudio.com
Claire Fabian: https://saraccino.blogspot.com

Faeries – the Art Elements theme reveal

This month flew by on gossamer faerie wings. Or a mermaid retrieved it from a shipwreck to hide in her undersea lair. Or a green fae woodland spirit absconded with it- hiding it in a hollow tree in a mystical wood. Whatever the cause – its reveal day! And this theme is one I work with frequently. Caroline introduced it – and I shared some fae inspiration earlier this month on the blog. I have a few different things in progress – let me share them with you…

A few months ago – I pulled four fairy cabochons. My fairy design is very butterfly inspired – as I think butterflies could easily be faeries in disguise. There is also a nod to The Preservers of Elfquest – a graphic novel/comic series that had been a huge part of my fae aesthetic since I was 12! (That’s a whole other post!)

I haven’t gotten any further than pulling beads… these four are Earth, Air, Fire, and Water. I plan to start the bezels all the while designing the surrounding bead embroidery to reference the elements.

With my schedule a little hectic ( who am I kidding? its crazy!) with fall shows – I have been glazing a few variations on my Faerie tile. One of the things that keeps this from boring production work is individually glazing each tile differently. My glazing style involves quite a bit of detailed hand painting in underglazes. This trio below shows you some of my fairy themes: Earthy with a seedling, celestial with the Earth/moon backdrop, and an ethereal Celtic version.

I did have a chance to play a bit this month: I received a printed moth paint/embroidery kit from Lesley for my birthday. I want to paint some, bead others… but one large one had to be a faerie! (The directions recommended a thin coat of white craft glue before cutting to prevent the fabric from fraying… )

IMG_0471

Painted in thinned acrylic, ready to cut out.

IMG_0484

She will flutter over my reading chair…

I think she is a perfect fit with this stoneware goddess pendant. I think I will hang her in the studio…

IMG_0489IMG_0488

Please join us in the hop! Links to participating AE members and guests are here:

Guest Artists
Cat 
 
Art Elements Team
 

Swirls: the Art Elements theme reveal

Swirls.

Its the time of month – reveal time for our theme challenge at Art Elements. Marsha picked a wonderful theme – so many ideas! This month does involve Bead Fest, travel, Lesley visiting from the UK – so I was glad it was a theme that resonated so strongly with my creative self.

IMG_0164

Travelogue doodles at Bead Fest.

My main swirly piece is a beaded tapestry I am working on – although swirls were on my mind even in doodles ( see above.)

IMG_0042

IMG_0040

This piece is approximately 3 x 5″ and features a swirly ceramic goddess by Lesley! There is a bronze clay moon, antique miniature buttons and beads, so many beads. I wanted the swirls to be evident in color – and am keeping size and texture of the beads uniform throughout.

IMG_0043

This one? Its on deck on the beading table. It was fired for Bead Fest but sadly had a flaw. Such a shame I have to keep it and bead… LOL. I also must say – once you start looking swirls are EVErYWHERE! (Chihuly installation at DE Art Museum; Art Deco door also at DMA. Hotel wall paper!) 

Hello – Lesley here...I’m currently vacationing with Jenny so I’m piggy-backing her blog post too. I didn’t get anything started for this challenge before I left the UK but it turns out that was a good thing because I got some great inspiration from a trip to Longwood Gardens with Marsha and Jenny. When I think swirls one of the first images that pops into my head is ferns and the wonderful patterns the newly forming leaves form as they unfurl. Fortunately for me there were examples aplenty at Longwood.

Back at Jenny’s I started to think about how I was going to use this inspiration and looked to a half face cab of Jenny’s that I’d started beading a few days earlier – unfortunately I forgot to take a photo of it then but it brought to mind the ‘Mud Maid’ sculpture from one of my favorite UK places – The Lost Gardens of Heligan.

sleeping-goddess-mud-maid-woodland-walk-lost-gardens-of-heligan-england1

I decided I could use these two elements to create by own beaded Fern goddess and this is what I’ve come up with so far…

40247179_232574927422808_967689529454493696_n

Jenny’s cab has been bezeled with Peyote stitched and then I’ve just free-form beaded around it – the excess backing will be trimmed away to give a contoured edge. I’ve used dagger beads to create mature fern fronds and seed beads to represent the swirling new growth. Fire polished crystals give some organic structure and random flower beads add texture. It’s not finished yet because I’m not sure exactly how I want to continue. The plan is for the lower portion to graduate into slightly more earthy colors and finish up with some sort of fringing to suggest the ground and roots. I need to take some time to think it through so it will probably happen when I get home. so far though I’m pretty pleased with it.

I did also manage make a couple of other pieces – both using ceramic components from our lovely host Marsha. First up a pair of earrings using the yummy pod charms she made for the last Art Elements challenge. I added some swirling wire and some pale smokey quartz beads to come up with this design that I’m pretty happy with…kinda cute and very easy to wear.

40094917_525693627852525_3952811582517411840_n

Finally I beaded (because that’s what you do when you stay at Jenny’s) a pendant using a swirly cab of Marsha’s that I brought from home.

40096957_1860631837337742_1834595709983129600_n

This one is in my trademark muted autumnal tones and uses a lovely Peyote mix I picked up at Bead Fest…pretty simple but again very wearable.

So that’s where Marsha’s challenge took me and to be honest, I could probably go on for ever with this theme as there is no end of inspiration. So a big thank you to Marsha for giving us this opportunity, to Jenny for letting me raid her bead stash and to both of them for taking me to the wonderful Longwood Gardens.

I hope you’ve enjoyed our offerings and will join us on our blog hop to see what all the other participants have come up with – just click on the links below. Enjoy!

Guest Artists:

Alison

Anita

Cat

Caroline

Jill

Kathy

Karin

Kimberly

Mischelle

Raven

Sarajo

Susan

Tammy 

Art Elements Team: 

Cathy

Caroline

Claire

Jen

Jenny & Lesley

Laney

Marsha

Susan

 

Plethora of pods – the Art Elements theme reveal

This month at Art Elements, Jennifer challenged us to be inspired by “pods”. See pods, organic shapes, to me, very symbolic of potential and growth. I have been a pod collector for years – and inspired by their myriad forms and interiors!

Yesterday I wrote about the humble eucalyptus, a favorite of mine. I am using its structure to stamps ceramic charms. These “organic ceramic” pairs will be ready for Bead Fest!

pod charms

Ceramic eucalyptus charms on the bead table!

In revisiting pods, I happened across a few hand held sculpted pods in stoneware clay. I had never glazed or finished them in any way… so what better time? These two are painted in multiple light layers of acrylic paint, in washes and some dry brushed texture. The pod on the right does spill forth a full hand full of individually rolled seeds.

painted pods

These older stoneware pods finally (cold) finished.

But as to new ideas – I turned to polymer. And seeds, and pearls. These are large-ish statement pendants. The red seeds ARE seeds – and that pod was finished with resin to keep the seeds in place. The other pods, incorporating pearls, are connected to the raw clay with head pins. These pendants are drilled at the top for stringing. Should I make more?

IMG_9456

Pod pendants available at online FB show: “One Sweet Bead Market” August 6th. And at Bead Fest Philadelphia – Aug 17-19th.

The final pieces are still works in progress. The goddess figures are inspired by votive figures found the world over, across thousands of years and all cultures.  This goddess icon and the pod are fused. The figure on the left will be filled with pearls. The figure on the right pairs two contrasting clay bodies and will be glazed to accentuate that contrast.

The smaller pods are a eucalyptus, my frequent muse and a smaller pea pod style that will also hold pearls. I will have these and more like them at Bead Fest as well.

WIP pods

Fresh from the kiln

I hope you have enjoyed this plethora of pods – please take a look at the other participants!

Guest Artists:

Tammy

Raven

Alysen

Anita

Cat 

Kimberly

Rozantia

Sarajo 

Divya

Caroline

Catherine

Kathy

Jill

Art Elements Team: 

Claire

Caroline

Lesley

Niky

Laney

Susan

Marsha

Cathy

Jen

Revelry and magic; fire and ash

img_9140.jpg

When Midsummer arrives, in flowers and greenery, Tatiana the Faerie Queen opens the Realm, for mortals to mingle with fae folk. (Yes, there are trolls, goblins, and mer folk as well.) This revelry takes place in New York state, in dappled sunlight and beside a flowing stream. Sounds idyllic? It is a magical place. This year was the 10th year, and although it was unseasonably hot – we had a lovely time!

For the first time – a few of us that are ceramic artist/potters/lovers of clay got permission to do a thing. Friday nights events include a large bonfire/drum circle. With fire spinners, and performers, and dance, and music – its a pretty amazing night. We got permission to place a little chamber of fire brick in the base of the fire!

Emma and I made small votive offerings and goddess figures, and we decided to bisque fire ours in advance. Although this means we were not relying not eh bonfire to actually FIRE our pieces, we were taking less risk of breakage. Our white stoneware pieces would still be pit-fired or smoke-fired and change color.

Friday evening we built the kiln chamber and filled it with organic matter all found in the immediate vicinity: twigs, pine cones, pine needles, leaves. They were not very dry. Pieces in teh firing ranged from green terra cotta, green stoneware and bisque stoneware as mentioned above. We also included some medallions made form clay from the property itself. These were pretty rough as the clay was very raw, with inclusions, etc.

IMG_9155

Ye s- we are a motley crew. It IS a faerie festival! We had been vending all day in the heat, although it was to get much hotter…

img_9157.jpg

Two bricks to cap the kiln and offer some protection from falling logs as the large fire was to burn for hours that night.

IMG_9160

 

IMG_0128

.Our host Billy Bardo opened the night with this:“If you are a dreamer come in
If you are a dreamer a wisher a liar
A hoper a pray-er a magic-bean-buyer
If you’re a pretender com sit by my fire
For we have some flax golden tales to spin
Come in! Come in!”

IMG_0129

Saturday morning was already brutally hot – and here was our first look at our kiln! Still warm to the touch, but not smoldering.

 

Results: the nature raw clay did not fire, still crumbly… All the other clay bodies fired well. We had some areas in the bottom of our kiln that were not heavily reduced ( in oxygen/ reduction atmosphere) so there were color variation. Basically – when a piece IS in a reduction atmosphere, the fire steals the oxygen, and the piece absorbs carbon in the exchange. This results in the dark tones on the clay itself.

IMG_9177

IMG_9186

A beautiful palette of smoke fired colors and a few flashes of green!

IMG_9189

This was am amazing opportunity. I have done many, many pit fired before: on the beach, with students, large, small, exciting, commonplace. But this was was magical. To have these pieces imbued with the spirit of community from Friday nights events, from this place, at this time? Wonderful!

We gave the pieces away. To the Fire crew, the land owners, the Queen, to the people who make this faire happen! And we hope to make this pit fire happen again next year!

If you are still reading, and want a little more – here is the video reveal of the opening. Silly, excited, irreverent, and un edited.

SaveSave

Playing in the mud at NY Faerie Festival

** post originally published at Art Elements blog**

I have just returned from the land of the fae, a weekend of revels in Tatiana’s court, a Midsummer Faerie Festival. ( New York Faerie Festivalto be exact.) It is a wooded hideaway, a magical encampment, a respite from the world. It is a place where magic, equality, friendship, acceptance and joy are the rules of the day.

Last year I started a personal tradition: part installation, part art abandonment, part gifts for the faeries/nature spirits. I sculpt clay items, and leave them to be found, seen, enjoyed… and ultimately to weather and dissolve and return to the Earth.

Sitting down on a hot festival day to sculpt…

The festival site? The path from the front ate sloped uphill following a stream, through trees and glades, opening into circles and groves. My friend and vendor neighbor Shane of Mythical Designs   set up these stones a few years back – so we could decorate and make an altar of sorts. My first raw clay piece was a goddess figure to leave for Mother Nature.

This past weekend of the festival was dangerously hot – is I did not make as many pieces as I had planned. I like the keep them simple – like this fairy with fern wings.

I had to make a wee frog for Scott Helland– there performing for the weekend. Although technically not an official Frenchy and the Punk“batfrog” it was close…

This one I was excited about – I wanted to put her IN the water:

She started to dissolve – sadly the heat caused this little rill to dry up and get rather muddy so I have no good pictures of her later on…

The Faerie Festival Community as a whole is supportive, accepting, inspired, and inspiring. Creativity in all forms is held in high regard. And play, the need to play and nurture joy. My friend Illya stopped by to sculpt. She is a musician, belly dance, fire spinner… among many other things!  She sculpted these three – then scattered them to be found. Illya reported in on FB as to the fate of her pieces :“I believe that the stream cla(y)imed one goddess rather quickly… the acorn was still intact on its rocky forest bower, another goddess left (along with the lovely log she was nestled in)… I believe a greenman met with a smouldering dragon…”

My friend and former teacher’s aide Emma is a potter as well – so you KNOW she had to get in on this. Here are her 4 pieces – photographed in situ. All we have to document this tradition are photographs and memories. Its the process of playing/sculpting with no pressure; the treasure hunt, the surprise of noticing a piece…

In addition to my “art abandonment” sculptures – the NYFF has a long history of mud Green Men sculpted on the trees. Initiated, I believe, by Shane with others contributing to the paces at times. These are the quintessential art installation! Using only mud from the street, plants and stones – it truly is magic taking form all around you.

Shane starts a face, with pebble teeth.

Although mud moves very differently than clay, potter/sculptor Kim Fritts was eager to get her hands dirty!

Dryad face? Mother Nature? Kim at work!

Kim’s finished duo!

Now I guess I need to return to the mundane world, of post festival laundry and getting ready for a show this weekend. But keep your eyes open! There is magic – and art – all around you.

 

Helianthus. The Sunflower reveal at Art Elements.

Welcome! To the glorious summer time and the reveal of our creative challenge theme for this month over at Art Elements blog. This month: Sunflowers selected and hosted by Sue Kennedy of Sue BeadsIMG_8909Helianthus. In Greek myth the sunflower used to be a nymph. She was an ocean nymph named Clytie who fell in love with Helios, Titan of the Sun. It’s a tale of abandonment, revenge, and unrequited love worthy of a modern soap opera. In the end, she became a sunflower, turning her head to follow Helios progress across the sky, yearning for him still.

As I am inspired by myth, I started there. But the tale was too tragic; albeit a recurring motif in Greek myth. So I decided to honor a wild hare of an idea that was taping mean the shoulder for the last year: micro mosaics.

I have a few beads ( cue laughter) so I selected a sunflower palette. For the center  of the flowers I am using an antique faceted jet button. For the “grout” and substrate I am using Apoxie sculpt. So – snap the gloves on and mix it up…

IMG_8879

Bezels and palette – ready to dive in.

I sketched the petals into the apoxie and started… to be met with immediate frustration. I wanted the beads to sit up – so holes were hidden. Tried tweezers, which worked – but just too tedious. I started stringing beads for each line on 28 gauge brass wire – essentially making elements to inlay as opposed to individual 11* seed beads! Much better!

sunf bead mosaic

Tedious! Making modifications on the fly.

IMG_8887

This is basically what I imagined.

The second bezel? Lets use larger beads! Lets use shaped beads… The palette had to change based on what I had on hand. The working time for Apoxie sculpt is 1-3 hours. For this process – earlier, softer consistency was preferred.

IMG_8889

Looser in inspiration, larger beads!

So if the seed beads are smaller than I wanted to work with – lets make larger mosaic tiles. Christi Friesen has been doing some crazy cool polymer mosaics lately – and those ideas were percolating in my mind.

First I created and cured my printed polymer veneers. This was the palette for my next mosaic.

sunf veneer

Polymer printed veneers – my mosaic palette.

I was working in a pine tray/frame. Painted and sealed first ( acrylic paint and gloss gel medium) I decided on the zoomed in image you saw at the start of my post. The cured veneers cut easily with Xacto knife, or even scissors. My Apoxie is grey – so rather grout like. ( Manufacturer says it can be painted after curing. I chose not to try that in this application.)

sunf WIP

Layout, and progress.

For my first try – I am basically pleased with that. I love the gold leaf shimmer from that one veneer. If I were doing this again – I think i would do more layout and pre-planning. Have more carefully fitted and cut tiles. While the spontaneity of this was fun, and rather freeing for me – I can see so much room to experiment with this process.

IMG_8934

The finished polymer mosaic.

Lastly – micro mosaics! I had all the polymer scraps… I had to try! These mosaics are “grouted” with TLS ( liquid sculpey) and cured to regular time/temperature. I liked these the best. I am still pondering why… was it that I didn’t love the Apoxie? That I had no time pressure here? That they were smaller/faster/less tedious? Whatever the reason – I may have to try these again. What are your thoughts?

sunf micro

Listed below is a complete list of this month’s participants – both team members and guests.  Take a look at their creations! Enjoy!

And see you next month!

Guests

AE Team

Surfacing: the Art Elements “tidepool” theme challenge

This month I dove into the theme late. I had been away for many weeks, and I am doing my grief work after losing my mother. I relished the chance to dive into the beads, to busy my hands and still my mind a bit.

Lesley selected the theme “Tide pool” and it is  – as these themes can be – so rich that it was hard to narrow my ideas down to one piece. My first ever tide pool experience was in La Jolla CA on vacation with my husband before we relocated there. I was enchanted by the calm encapsulated worlds amidst the rocks and tumultuous spray.

My plan was influenced by the enameled fish I received from Anne at Gardanne Beads. While it takes my pieces from tide pool to ocean – I feel both worlds are represented…

IMG_8337 (1)

My teaser sketch – after I had selected artisan beads.

The preliminary stages had me stitching on the densely encrusted tide pool items at the bottom of the 3″ square. The fish swims amidst leather kelp; (if you EVER get a chance to go the the Aquarium in Monterey Bay CA, do so! The kelp forest is ethereal!). Then there is that rather unsightly blob in the lower left. Needle felted from a scrap of wool – its simply a form, an armature of sorts for…

IMG_8339 (1)

What is that blob?

img_8340-1.jpg

Oh my…

… the anemone! I didn’t have exactly the right colors to achieve an ombre effect on the arms? tentacles? but I am still pleased. so now – the piece in its entirety. All 3″ of it!

IMG_8372 (1)

“Surfacing”… my finished tide pool inspired piece.

Details: 1. the anemone in situ. 2. Caroline‘s sea urchin bead sitting on top.  3. Close up of Gardanne Beads enamel fish and Sue Beads lamp work star.

Framed in a stained wood frame – the piece is ready to hang. I like the layering of coral and kelp over the fish – creating some depth. This was a very inspiring theme to work with – thank to Lesley for the topic! Now – please – head over to my friends and colleagues blogs – to see what they have created! 

Guests

AE Team Members:

Nests: the Art Elements themed challenge reveal

Happy Spring!

Welcome to the first in our monthly themed challenges! (We have had these seasonally occurring in the past, but have recently switched to all themes, every month. ) Cathy stars us off with the theme: Nests. Her original post was filled with inspiration for jewelry, fibers, all sorts of mediums.

I knew exactly what I wanted to do… ever since this tutorial was released at Sarafina Fiber Arts, I have been thinking of nests. The timing was perfect for Spring and this challenge – and I do so love the colors and textures of the curly dyed sheep’s locks! ( Not to mention I work there part time, and find all the products, colors, textures very inspiring!

IMG_7902

The first one – a little wild and unruly. 

IMG_7904

Natural colors, mostly… and a scrap of suede.

Sara of Sarafina Fiber Arts shares her tutorials on You tube – you can find the nest tutorial here. When I first saw the nest samples I wanted to fill them with earthy polymer goddesses. So I did:

IMG_7906

This is what I originally imagined. 

IMG_7908

Under the sea

My stash of curly locks *may* lean heavily to greens, teals, and earthy forest colors – but that works well for an underwater themed nest too.

IMG_7911

The river rock balances out the coral as it was a bit heavy. 

And any color works – I made a candy fluff Easter nest for my Mom – including 3 polymer  eggs! This was great fun to do – and I have other nest ideas for my art journal that I just didn’t get completed in time.

IMG_7914

One of these things is not like the others….

Please join us on the blog hop today and see what my talented team mates and out guests have created. 

Happy Spring! 

Guest Participants-

Alysen

Anita

Divya

Kathy

Kym

Mona

Rosantia

Sarajo

Tammy

AE team members-

Caroline

Cathy

Claire

Jenny (you are here)

Laney

Leslie

Lindsay

Marsha

Niky

The Art Elements Rune reveal

Welcome to our last official COM here at Art Elements! Starting next month we are moving to monthly themed challenges. We felt this was expanding the option, invigorating out creativity and opening the door to so many mediums!

This final COM is stunning metal clay runes made by Niky Sayers. I had the good fortune of meeting Niky in London and receiving mine personally!

IMG_7707

Niky’s runes are cast from her own hand made personal set, and based on the Elder Futhark. These symbols were originally carved in wood and stone, and their straight lines reflect that context. Elder Futhark was a runic alphabet used by Norse and Germanic peoples from approximately the 2nd – 8th centuries. ( styles changed, runes evolved, and continued to be used….) Runes are recorded in sources such as the Poetic Edda as being used for inscriptions and talismans.

In the 1980’s Ralph Blum published and popularized the runes as a system of divination. I have long been a fan of Tarot cards, as an inspirational and oracular device. But runes were never my go to, and I enjoyed this chance to start working with them.

The first rune I selected to work with is URUZ, meaning “aurochs”. It’s traditional meaning is “Physical strength and speed, untamed potential. A time of great energy and health. Freedom, energy, action, courage, strength, tenacity, understanding, wisdom. Sudden or unexpected changes…” Immediately I saw a Phoenix, as working with the runes coincided with a New Moon journal spread I was planning. ( And yes – this means I still have this actual rune to use in a piece of jewelry!)

IMG_7697

The dark moon was done in watercolor pencils and crayons. I wanted to leave a hint of a triple spiral there in purples and black. The Phoenix was drawn in pencil and inked with fine marker. The color was very satisfying to do- many layers and colors blended using Derwent watercolor pencils.

IMG_7699

I was a bit disappointed with the background. I used a student grade liquid watercolor and it feels a little flat, a little blah to me. Such is the nature of an art journal: experimentation, risks, and play.

The second rune I selected was EHWAZ, meaning horse. It’s traditional meaning is: movement/ progress, steady progress, transit and transition. When thinking “horse” I immediately think of the Uffington chalk figure, and I was seeing landscapes in my mind’s eye from my recent trip to visit Lesley in Dorset. This idea evolved quite naturally, involving polymer and felt…

I wet felted two abstracted landscapes in a palette of greens:

IMG_7678

The rune will be affixed to the frame at center top. The felted tapestry inside, and an image of the Uffington horse to float above, suspended on fine gauge copper chain.

IMG_7701IMG_7706

This is the work in progress so far – I am seeing a few changes I want to make. I want to create another felt tapestry and play up the copper color from the rune itself. I think I will add a thin layer of white acrylic paint on the frame, a white wash of a sort, to lighten the piece. And yes – that is a rogue hair from my paintbrush. Oops. I am happy with my overall design plan – but need to tweak the palette a little. What do you think? I would love to hear your thoughts…

And I look forward to seeing the creations from my team mates and our guests this month:

Guests:

Kelly Rodgers

Deb Fortin

Art Element Members:

Laney Mead

Lesley Watt

Caroline Dewison

Jenny Davies-Reazor

Susan Kennedy

Cathy Spivey Mendola

Jennifer Stout Cameron

Claire Fabian

Lindsay M Starr

Niky Sayers