One step at a time….

Hello! tap tap tap… is this thing on?

Journal page – early 2020.

September 1st. I just never know what year it is anymore. Time is meaningless – yet it slips through my fingers. I just wanted to stop by – and say that I do have plans to rejuvenate this blog. With Social media becoming more and more advertised and polarized – I want to post on a place that is mine, and free from issues. I hope you will join me here.

I recently advertised my art journal classes on a friends podcast – Dawn Hunt/Cucina Aurora ” Conversational Witchcraft. If you are here because you followed her link thread – thank you and Welcome ! There will be a new limited edition art journaling video for you! Coming soon – it will be emailed to any new newsletter subscribers from now til Samhain!

I work in many materials and mediums – from clay to beads to gems to paper, and I invite you to stroll through my galleries of images. I exhibit at arts festivals and faerie festivals in the Mid Atlantic region. But its my art journaling classes that have really taken flight since 2020.

The special free sample lesson will be a video demonstration/tutorial and a resource packet – all themed with the goddess of the lesson. Stay tuned – and I thank you in advance for your patience!

Kwan Yin – from “Goddess Guides – a yearlong journey” art journaling class.
Oak themed spread from my intro class – “Sparking Creativity”

Fossils: the Art Elements reveal for November!

Welcome to the (slightly late) but inspired by ancient… fossils that is… Art Elements revel post! When Niky chose this theme I knew I had a plethora of choices by my talented team mates and Mother Nature herself…

And I chose something completely different. Ok Muse – I hear you!

On and off since this summer I have been working on new pieces embedding crystals into polymer pieces, creating a crystal terminal/point on the base of the piece:

The owl prototypes – they were extremely popular.

I have been planning more in this series, and sourcing amazing crystals – stay tuned for that. But this month an unlikely item caught my eye: a megalodon tooth. (wiki). I believe Lindsay sent me this as a gift?!

I knew I wanted to make a goddess figure – so I started the sculpt with her body in granite polymer. She has fine line striations to match the tooth’s texture. To adhere the two I sculpted a connection in Apoxie sculpt – and textured it as well. I am SO sorry I didn’t take a pix at that stage! Here she is done:

And with another fossil from my stash, I tried another style – embedding the fossil. ( Also granite polymer)

I am really pleased with how they turned out and look froward to more along this theme. I imaging them in shadowbox frames, with a felted beaded backdrop? Or handheld pieces for table or altar? Or both…. Excited for the new work the new year will bring.

But for now – wishing you a happy holiday weekend for the US crowd, and happy fall to everyone else –

OH – Dont forget to hop :

AE Team

Jen

Lesley

Sue

Claire

Jenny ( you are here)

Niky

Guests

Cat

Tammy

Susan

Dawn

Michelle

Sarajo

Evie & Beth

Divya

Revelry and magic; fire and ash

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When Midsummer arrives, in flowers and greenery, Tatiana the Faerie Queen opens the Realm, for mortals to mingle with fae folk. (Yes, there are trolls, goblins, and mer folk as well.) This revelry takes place in New York state, in dappled sunlight and beside a flowing stream. Sounds idyllic? It is a magical place. This year was the 10th year, and although it was unseasonably hot – we had a lovely time!

For the first time – a few of us that are ceramic artist/potters/lovers of clay got permission to do a thing. Friday nights events include a large bonfire/drum circle. With fire spinners, and performers, and dance, and music – its a pretty amazing night. We got permission to place a little chamber of fire brick in the base of the fire!

Emma and I made small votive offerings and goddess figures, and we decided to bisque fire ours in advance. Although this means we were not relying not eh bonfire to actually FIRE our pieces, we were taking less risk of breakage. Our white stoneware pieces would still be pit-fired or smoke-fired and change color.

Friday evening we built the kiln chamber and filled it with organic matter all found in the immediate vicinity: twigs, pine cones, pine needles, leaves. They were not very dry. Pieces in teh firing ranged from green terra cotta, green stoneware and bisque stoneware as mentioned above. We also included some medallions made form clay from the property itself. These were pretty rough as the clay was very raw, with inclusions, etc.

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Ye s- we are a motley crew. It IS a faerie festival! We had been vending all day in the heat, although it was to get much hotter…

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Two bricks to cap the kiln and offer some protection from falling logs as the large fire was to burn for hours that night.

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.Our host Billy Bardo opened the night with this:“If you are a dreamer come in
If you are a dreamer a wisher a liar
A hoper a pray-er a magic-bean-buyer
If you’re a pretender com sit by my fire
For we have some flax golden tales to spin
Come in! Come in!”

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Saturday morning was already brutally hot – and here was our first look at our kiln! Still warm to the touch, but not smoldering.

 

Results: the nature raw clay did not fire, still crumbly… All the other clay bodies fired well. We had some areas in the bottom of our kiln that were not heavily reduced ( in oxygen/ reduction atmosphere) so there were color variation. Basically – when a piece IS in a reduction atmosphere, the fire steals the oxygen, and the piece absorbs carbon in the exchange. This results in the dark tones on the clay itself.

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A beautiful palette of smoke fired colors and a few flashes of green!

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This was am amazing opportunity. I have done many, many pit fired before: on the beach, with students, large, small, exciting, commonplace. But this was was magical. To have these pieces imbued with the spirit of community from Friday nights events, from this place, at this time? Wonderful!

We gave the pieces away. To the Fire crew, the land owners, the Queen, to the people who make this faire happen! And we hope to make this pit fire happen again next year!

If you are still reading, and want a little more – here is the video reveal of the opening. Silly, excited, irreverent, and un edited.

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A year of Goddesses: part 2

For the first half of the year – go to this original post.

It started out as challenge to myself. Inspired by artist/beader and  now fellow Art Elements contributor Cathy Mendola. It turned out to be educational, inspiring, and very, very fulfilling. Here is the remainder of the 2016 beaded goddess tapestries: 2016-part-2

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December may be my favorite. Mandala and snowflake inspired shapes crown her head. 

November – with a nod to Thanksgiving – rooted, holding wheat, recalling the harvest. 

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October brings Dia de Los Muertos. The color palette  and designs inspired by sugar skulls and talavera tiles. 

September/Virgo is my sign. I wanted her to reference the Zodiac a bit with the plenty/harvest that adorns the frame. 

 

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August – the ocean. Cresting waves, sandy neutrals. 

July – the summer sky and a hint of swirling fireworks. 

I am beginning work on a series for this year. While I had intended to take a smaller seasonal challenge this year – I had a great idea…. Stay tuned! Pictures coming!

Half a year of Goddesses?

I know June has just begun, but I am already finished my beaded goddess for this month. I am thrilled with the progress I am making. The design aspects flow more readily each month. I have abandoned symetry – which can be a challenge for me. And I have NOT hit a slump. If anything, the last 2 months went easier and faster… I know the blog has languished a bit, more htan a bit. There is a revamping in the works for this summer – thats all I’ll say for now.  

So take a look at half a year of goddesses:

6 goddesses. Jan - June

 

The Goddess project – one month at a time

 This year I have undertaken a project, a goddess project. Inspired by the fabulous bead artist Cathy Mendola, I am doing one seed beaded/bead embroidered piece a month incorporating a goddess cabochon. I met Cathy on Instagram!!! – she was doing a goddess project last year and used a few of my polymer goddess cabochons. We have talked and struck up an Internet friendship… and she has passed the torch of inspiration to me!

The time frame fits me well. I like to have something to bead on when I have a little late afternoon down time, with a cuppa tea. Or coffee. I do find bead embroidery to be very meditative. Over the course of the year I want to experiment with bead shapes, composition, movement… and plan to have a combination of wall hangings and pendants by year’s end. I hope to exhibit them next year. 

So here is the beginning: 

January goddess WIP

January – named for the Roman god Janus, whose 2 faces looked backwards and forwards in time… He’s often seen with a key… The key I used is a gorgeous lampwork key from Jennifer Cameron of Glass Addictons. It inspired the purple accent tones in the piece. I chose this goddess, and the spiraling composition because I was thinking of New Year’s Eve and fireworks. No specific goddess was on my mind, but a piece that was symbolic of the year’s beginning. 

January Goddess

The completed January goddesses. She is wearing a crown of hematite stars. I havent decided yet how these will be mounted/displayed… but I have all year. 

February – starts with the festival of Imbolc, marking the mid way point in winter. Associated with the Irish goddess Brigid, whose domain was fire. Fire in the head of inspiration, fire in the forge… I created this polymer goddess with the stylized fire in her belly specifically for this month. But I was reading “Brigid: Sun of womanhood” (published by Goddess Ink) and thinking on Brigid’s association with healing and water and holy wells… of the symbolism of the light of spring emerging from the dark of winter… and my plans were changed… 

Brigid sketches

Brigid as “fiery arrow”, snowdrops, flames, water… so many sketches. But what else does one have to do at Jury duty? 

February WIP

Brigid in progress showing the fires of inspiration… little polymer flames made for this piece. 

February goddess

Finished! Thanks to Leap day as I needed a bit more time. 

Here is some of my inspiration from Cathy – who I will be interviewing over at Art Jewelry Elements blog on April 8th! Stay tuned! 

Cathdola montage

And yes – the 2 goddesses on the left are polymer cabochons I sculpted. While I look to possibly showing this series next year – I am also doing it as pure pleasure. The beads, the colors, the textures… and revisiting Cathy’s pieces I am drawn into the enticing movement in pieces and the composition. I want to play with symetry and asymetry. I want to push my color sensibilities out of the comfort zone. I look forward to a year of exploration and challenges! 

Find Cathy on Facebook: – www.facebook.com/CathySMendolaJewelryandFiberArt/

Her blog is www.cmendola.blogspot.com 

Instagram as cathdola

 

Beading Back in Time – Blog Hop Reveal

 (If you are looking for the Art Jewelry Elements April COM follow this link. Thanks! )

 

Beading Back in Time! Time to find the Tardis key, walk through a certain circle of stones, or fuel up the DeLorean… 

This quarter we are inspired by ancient history, “Early Human” which for the intents and purposes here will be prior to 3500 BCE. Now this time period resonates with me… I hve been drawn to the carved stone goddess figures since childhood.  If you want to get really careful with dating and art history this period is even before the famous cave paintings of Lascaux! So I thought for sure it would be goddesses that inspired this challenge! 

ancient goddesses

1. Venus of Willendorf 2. Venus of Brassempouy 3. Venus of Laussel 

Goddess work collage

My goddess tiles, and small sculptures. 

Goddess amulet planning

So I set aside a small simple stoneware goddess. She is bare clay, fired to ^10 reduction with a wash of iron oxide to give her a patina. Iron oxide is a naturally occurring pigment, just rust actuallly, and it was used to color stone and cave paintings of this era. I tried her with honey tones, with rugged chunks of labradorite, with craggy rough turquoise. And I havent made a decision yet. I have an existing piece ( shown bottom left above) where I paired a stoneware goddess with Roman glass, geode slices, bronze ammonites… and I wanted to do something different. We’ll see what I finally decide on. I’d love to hear your thoughts! 

 Here is what I did end up with as my “Early Human” offering: 

Tab set in copper, this Marsha Neal cabochon is a dark clay body with a white “crusty” glaze. This already felt right, but its a spiral – an ancient motif that can embody change, journey, progression, life, cycles, it was perfect. I was drawn to use other ancient materials – a hollow shell that is reminiscent of bone, and a chunk of amber. Both bone and amber were used as adornments since… forever. 

Early Human amulet

I wasn’t sure I would have time to complete the necklace parts, but the Muse ( and the clock! ) cooperated: 

Seed pods and chunky howlite connect the copper chain to the sari silk. Although rawhide would have been more historically accurate, the silk was the right fit  aesthetically. 

Final version!

 I love the pieces together, the spiral and the amber really sing to me. Please join us in this time travel inspiration, to our early human roots! 

All the participants links can be found at Sherri’s blog OR Lindsay’s blog. 

Thanks for joining us! 

 

 

 

 

Runic Goddess – the September Component of the Month reveal

 September. I miss you. <sigh> 

September Component of the Month is brought to you by Kristi Bowman of Dream Some Design. The colors in this amulet are WOW! It is white copper, I believe, and the style says primitive talisman to me… I wanted to bring out the subtle tones of peach/honey and aqua. Not my usual palette so I am happy for the challenge! 

Runic Goddess

The linear and dot motifs helped guide me. I wanted to play up the linear quality, and decided to incorporate the wrapped chain links. They are copper and nickel parawire tumbled to a shiny finish. ( Thanks to Lesley for inspiration on these links.) The gems – jaspers and agates – repeat the dot/round motif nicely. 

Runic Goddess Sept CoM

I wanted to give the piece another layer of meaning and keep in the primitive style. ( I mean that in the best way, naturally). I decided to stamp runes into copper discs and intersperse them with the gems. (The runes are linear in nature as they were originally carved in stone. This makes them easy enough to stamp with letter stamps… no curves needed. )

rune detail

rune chart

“Jera” – Harvest: beneficial outcomes to your commited endeavor. Reap what you have sown. 
“Dagaz” – Breakthrough: Self transformation, change. 
“Sowelu” – Wholeness: the path you must follow; the core of your individuality. 

 

 I liked the meanings here. I thought that made for a powerful sentiment, a personal talisman. I would love to hear your thoughts as well… 

And dont miss the other pieces designed by my fellow Art Jewelry Elements team mates and this month’s guests! 

 

 

April Component of the Month! Headpins…

 (If you are looking for the “Inspired by Reading” post and creative reveal – please click here. )

 I love it when a plan comes together. I received these simply gorgeous glass headpins from the hands of Jen Cameron for this month’s Component of the Month at Art Jewelry Elements. But I was out of town. I got home with 36 hours until the reveal… and I was tired and had mounds of laundry to do… When I sat down this afternoon I was thrilled to make it work – and I am pleased with the results. 

Jen's headpins

The headpins made me think of water. Not only the color, but the spiral and the tiny bubbles… I have been working on and off lately on a series of Goddess necklaces. This color and the element of water made me think of Yemanja. She is the Yoruba orisha, or diety of water, childbirth, the essence of the ocean. She was and is revered in many Afro-American regions, from Brazil to the Caribbean. (My Yemanja figure, shown on my “water” shelf with Sulis from Bath, is from New Orleans. ) Over time, Yemanja was seen to share many characteristics with the Virgin Mary: protectress of women and children, robed in blue, Mother of all… Mary is also known as Stella Maris/Star of the Sea thus linking her with the ocean as well. 

Water elementals

So I started browsing the stash… and started with a piece of sea glass. Here is a little “photo essay” of the selection process: 

planning pix

After that – the Parawire and the seashell were kept in the mix, along with copper links. I found the color blue more vibrant than the gems in my stash, and turned to Czech glass and crystal to satisfy my palette. The copper links are stamped “etoile” and “de la mer” to reference Yemanja/Stella Maris/Mary. 

the necklace

Coiled wire bail, dangle headpin, stamped copper links, wire wrapped crystals and glass beads, sari silk, seashell, hand made wire clasp. 

Not bad for a day’s work! What do you think?

Please stop by these blogs – my team mates and the guest designers participating this month: 

Guest Designers:

Erin Prais-Hintz

Kathy Lindemer

Alice Peterson

 

AJE Team:

Susan Kennedy

Lesley Watt

Melissa Meman

Linda Landig

Jen Cameron

Goddess of Winter, Goddess of Spring…

 It may have been a year ago that I started this necklace. And as another turn of the wheel goes by, I am finally finished this necklace. I want to thank my friend, and our hostess – Sally Russick, for the incentive and inspiration to finish this!

I have been working loosely in a series lately – necklaces inspired by goddesses. Trying to embody the concepts of the feminine divinity and also incorporate the attributes of that goddess, in that certain culture, in that mythos. My heritage is Celtic and I am most often drawn to the Goddesses of that culture.  This necklace was started with a focal of vintage lace in resin – symbolizing the ice/snow/frost of winter. 

Winter focal

The Cailleach

“Cailleach” derives from the old Irish caillech, or “the veiled one.” The modern word cailleach means “old woman” or “hag” in Gaelic. The Cailleach is a widespread form of Celtic hag Goddess tied to the land and the weather Who has many variants in the British Isles.

The Caillagh ny Groamagh (“Gloomy Old Woman”, also called the Caillagh ny Gueshag, “Old Woman of the Spells”) of the Isle of Man is a winter and storm spirit whose actions on the 1st of February are said to foretell the year’s weather–if it is a nice day, She will come out into the sun, which brings bad luck for the year. The Cailleach Uragaig, of the Isle of Colonsay in Scotland, is also a winter spirit who holds a young woman captive, away from her lover. (Thanks to Thalia Took of “A-musing Grace” )

In Scotland, where she is also known as Beira, Queen of Winter, she is credited with making numerous mountains and large hills, which are said to have been formed when she was striding across the land and accidentally dropped rocks from her apron. In other cases she is said to have built the mountains intentionally, to serve as her stepping stones. She carries a hammer for shaping the hills and valleys, and is said to be the mother of all the goddesses and gods.

The Cailleach displays several traits befitting the personification of Winter: she herds deer, she fights Spring, and her staff freezes the ground. (Wiki)

The snow, the rocks, the ice… the frost patterns on a cottage window; here is my “inspired by winter” necklace – 

Cailleach necklace

Spiral charm – K. Totten/Starry Road Studio

Lamwork – Anne Gardanne

materials: moonstone, blue ribbon jasper, chandelier crystal, smoky quartz, mother-of-pearl, river rocks, chain and seed beads. 

Cailleach necklace

 

Thanks to Anne Gardanne for her gorgeous lampwork – they inspired the palette of this piece!

The Cailleach is related to another Celtic Goddess – Bride (or Brigid). Her “day” is February 1, known as Imbolc on the ancient Celtic calendar. I have included a bit of her story, as it is her time of year, and the two goddesses are often seen as associated…

Thalia Took's Cailleach  Thalia Took's Bride

“Bride (or Brigid) is a beloved goddess of the Celts known by many names, Bride being the Scots Gaelic variant. Her names mean “the Exalted One.” She tends the triple fires of smithcraft (physical fire), healing (the fire of life within), and poetry (the fire of the spirit). In balance to this She also presides over many healing springs. Cattle are sacred to Her, green is Her color, and, perhaps one of the reasons She is so beloved is that She is said to have invented beer! Her feast day of February 1st is called Imbolc (the Christian Candlemas), when the predictions for the coming spring’s weather were made, a remnant of which is seen in the modern Groundhog Day. She is daughter to the Dagda, and invented the first keening when her son Rúadán was killed.

The Cailleach, crone Goddess of winter, is said to imprison Bride in a mountain each winter; She is released on the 1st of February, traditionally the first day of Spring in parts of the British Isles.

Bride the Goddess proved so popular that when Christianity came by, they converted Her to a saint. Called “Mary of the Gaels” by the Irish, St. Brigid is believed to be the midwife to Mary at the birth of Jesus, and so was thought the patroness of childbirth. Her importance is such that She is one of the three patron saints of Ireland, with St. Patrick and St. Columcille. Her nineteen nuns (a solar number) kept an eternal flame burning at Her monastery at St. Kildare.” (from Thalia Took at A-musing Grace)

Now – a necklace for Bride? Fire, a woven wire Bride’s cross, green gems… that may be next… Thanks for stopping by. Please visit my friends and colleagues also participating on this hop: