Its all in your hands…

Photo by Supriya S on Unsplash

As a creator, a working artist – it IS all in my hands. They are the tools of my sculpting, painting, crafting and creating. I am grateful to be able to work with my hands – in creative fields. From teaching art – and seeing the satisfaction and feelings of accomplishment that ripple over a student’s face… to creating art and feeling the pride in my work, the ability to express myself in clay, paper, metal, beads.

Its something that is deeply rooted in me. I have a hard time sitting with still hands. When I relax, I doodle. When I am on vacation – I have a travel sketchbook. There is an increased awareness and appreciation that I feel when I am making as I travel…

Hands are our primary tools. They create, work, construct, build. They control, rend, dismantle, destroy. They heal and comfort and console. They speak and emote, they pray and communicate.  According to Aristotle, the hand is the “tool of tools.” In general it is strength, power and protection. However, it can just as easily mean generosity, hospitality and stability; “lend a hand”. It is used in gestures of greeting and friendship (shake hands).

Let me present a few illustrative hands, may they inspire you to take it to the page!

The Hamsa hand:

The hamsa (Arabic: خمسة, romanizedkhamsa) is a palm-shaped amulet popular throughout North Africa and in the Middle East and commonly used in jewellery and wall hangings. Depicting the open right hand, an image recognized and used as a sign of protection in many times throughout history, the hamsa has been traditionally believed to provide defense against the evil eye.

Khamsah is an Arabic word that means “five”, but also refers to images of “the five fingers of the hand”. In Jewish culture, the hamsa is associated with the number five because of the five fingers depicted on the hand, and because the word khamsa is cognate to the Hebrew ḥamishah (חֲמִישָׁה), which also means “five.” ( Wiki)

The Palmistry hand:

Palmistry – practice of fortune-telling through the study of the palm. Also known as palm readingchiromancychirology or cheirology, the practice is found all over the world, with numerous cultural variations. Those who practice palmistry are generally called palmistshand readershand analysts, or chirologists. It is ancient and archetypal; with roots that tie it to Hindu astrology and Roma fortune telling.

Traditional Mehndi designs:

Mehndi is a form of body art and temporary skin decoration from the Indian subcontinent usually drawn on hands or legs. They are decorative designs that are created on a person’s body, using a paste, created from the powdered dry leaves of the henna plant (Lawsonia inermis). Traditional usage would see elaborate designs on a woman’s hands and feet n preparation for her wedding. Pop culture assimilation has Henna designs available at the beach every summer….

Image credit: https://people.howstuffworks.com/culture-traditions/body-art/henna-tattoo.htm

Famous hands in art:

Further inspiration: Pinterest

Further reading:

So this month – on my Weekly Spark videos – let me work with my hands – and create work of hands! Tune in here.

And stay tuned – more posts coming. I’d love to hear what you think – here or on You Tube!

One step at a time….

Hello! tap tap tap… is this thing on?

Journal page – early 2020.

September 1st. I just never know what year it is anymore. Time is meaningless – yet it slips through my fingers. I just wanted to stop by – and say that I do have plans to rejuvenate this blog. With Social media becoming more and more advertised and polarized – I want to post on a place that is mine, and free from issues. I hope you will join me here.

I recently advertised my art journal classes on a friends podcast – Dawn Hunt/Cucina Aurora ” Conversational Witchcraft. If you are here because you followed her link thread – thank you and Welcome ! There will be a new limited edition art journaling video for you! Coming soon – it will be emailed to any new newsletter subscribers from now til Samhain!

I work in many materials and mediums – from clay to beads to gems to paper, and I invite you to stroll through my galleries of images. I exhibit at arts festivals and faerie festivals in the Mid Atlantic region. But its my art journaling classes that have really taken flight since 2020.

The special free sample lesson will be a video demonstration/tutorial and a resource packet – all themed with the goddess of the lesson. Stay tuned – and I thank you in advance for your patience!

Kwan Yin – from “Goddess Guides – a yearlong journey” art journaling class.
Oak themed spread from my intro class – “Sparking Creativity”

Art Journaling with Jenny: sparking creativity.

It started out as just me and the page in my art journal. It was an escape – a place to go play, express myself, collage, splash paint around… and be both distracted and soothed in the midst of a global pandemic. My art journal became a place where I could vent, but also a place I could go to elevate my mood, or take simple joy in art materials, color, image, text…

And then I decided to share it…

Well, my friend Patti (who became my co-facilitator for class) encouraged me to create an online class. We would meet via Zoom. I could film video tutorials – but we wanted an element of camaraderie too – a social interaction we were missing during “Safer at home” times. And thus “Art journaling with Jenny: sparking creativity” was born.

The first session was a learning process – for me – and also hugely satisfying. It surpassed my wildest dreams. Here are some student testimonials:

Jenny’s Art Journal class was amazing!  The presentation of techniques and pace of the class gave me time to absorb, learn, play and ultimately complete gorgeous journal pages – something I wasn’t sure I could do.  The safe space created by Jenny, as well as the camaraderie and community with my classmates grew as we journeyed together allowed me to open up, experiment and go places I hadn’t even imagined.  And finally, as a frontline healthcare worker, “taking it to the page” gave me a healthy release that kept, and continues to keep, me balanced, focused and feeling hopeful.  No kidding.  Ten thousand thumbs up!  Amy T

Jenny Davies-Reazor took me on an adventure into art play and art journaling in her “Art Journaling: Sparking Creativity” online workshop!  It was eye opening for me as I had never done anything like this in my own artistic journey. It was also very cathartic. She is very organized and willing to share everything she knows and truly gives a lot of herself and her time.  Not only did I enjoy learning new ways to play with art materials, I would get so engrossed in the process of creating that time would slip away unnoticed. Jenny is fun, knowledgeable, and is also willing to experiment in front of her students.  It lead to some happy accidents, which was encouraging for me.I am looking forward to her next class! Patti P. 

Are you looking for community, camaraderie, inspiration and fun? Look no further, you’ve found all that and more. Jenny’s class is informative: you learn different techniques, she walks you through her creative process and you’re introduced to new materials to play with and create. You become part of a very supportive group of people: you can choose to share what you’re working on or just soak in the process that your fellow participants are working through. This class was amazing.  I can’t say enough about it. I would give it all the “stars”.  Nikki T

Here’s a firsthand look at MY pages – and the “Hows” and “Whys” behind the class:

As I mentioned – the lessons are NOT drawing heavy, but instead utilize collage, and image transfer techniques. The materials list is provided after enrollment and includes links for online ordering… Each lesson is themed around a symbol or motif and its relevant meaning/folklore/mythology. My style of teaching encourages you to explore. I teach you the technique and show you possible applications. This isn’t the type of class where everyone ends up with a copy of the teacher’s piece… Its you, in your journal… with your preferences and experiences, and choices!

Interested? Here are the details…

Cost: $70 includes a packet of images ready to use in image transfers. ( send via USPS)

Duration: 6 weeks of class. Access to videos – no expiration.

Access to private class Facebook group: intended for sharing images of pages, discussion of techniques, etc.

Each lesson includes:

Monday – weekly email with inspirational PDF, links to private video tutorials.

Wednesday – FB live demo (recorded for any who miss it live)

And the “Spark” Zoom calls – introduction, mid point check in, finale call. 3 calls spaced over the 6 weeks. (Optional and recorded!)

Sparking Creativity will be available late Spring 2022 as an on demand class! Sign up for my newsletter to stay in touch!

To enroll:

  1. Send an email to me at Jen.davies.reazor@gmail.com with the subject line “Spark sign ups”. Let me know you are interested.
  2. I will invoice you via PayPal. Then you will receive your supply list – via email – and can order anything you might need.
  3. Join the FB group!

You can also email me to ask any questions! Feel free to check out some other art journal videos on my You Tube channel~ Until then, stay safe, and thanks for reading to the end. 😉

Holiday creations – the Art Elements theme reveal

When I was in High school in a ceramics class, my art teacher often let me work independently. One year she said – cookie cutters. And I was off and running. I still make a batch of (Ceramic) cookies for the tree each year.

I have cookie cutters that were my Grandmother’s Boesch’s and I have non traditional ones I have made for specific people: a violin, a Texas longhorn, a bat….

But my favorites are the seasonal motifs that everyone can enjoy, whether you celebrate Solstice, Christmas, Hanukkah, Kwanzaa… gingerbread, snow men, moons and stars as we welcome back the sun after the longest night at Solstice.

I do sell some at my shows around this time of year, but I also give them as gifts! They are unglazed on the back as I think the minis ( shown above) make excellent gifts tags! Just personalize with Sharpie! I even took a “tray of cookies” to the wonderful staff at Playtime Doggy DayCare – Zoey’s home away from home!

Please take a few minutes to enjoy the offerings from my fellow Art Elements team mates and our guests! And Happy New Year!

AE team: 

Lindsay

Jenny

Sue

Karen

Claire

Niky

Cathy

Guests: 

Sarajo

Kathy

Mary

Hope

Tammy

Evie and Beth

Divya

Merja

Sarah

Petroglyphs – the Art Elements theme reveal!

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This month Karen challenged us with… petroglyphs! Ancient, a bit enigmatic, but very inspirational.

The first one I created was a bit of a happy accident.  I was creating class samples – for class at Let’s Bead in Rochester, NY. My “Vintage Views” class was using vintage postage stamps as locals, and creating polymer surrounds that were inspired by and accentuated the stamp art. What did I find in my collection? A Norwegian stamp with petroglyphs!

I opted to keep this earthy in tone, so the red stamp would pop. And it was keeping in the theme…

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A simple stone/earth palette and a little texture frames this stamp. 

I am drawn to the figures most in petroglyphs. Whether they be shaman, or deities, or humans in regalia… I love them. Some horned figures bring to mind Celtic deities, like Cernunnos, the antlered Lord of the Forest. So I can relate to them in an archetypal way – from my research and heritage from Celtic lands.

I realized I had a pewter magnet – purchased in Arizona. When? Perhaps when my sister and I drove across the country and visited the Grand Canyon? Was that 2000? No matter… I conditioned some polymer…

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There are these 2 cabs, one in an earthy ochre color and the other? I do love greens. (These 2 are available. I may just “list” them on my FB page. Message me if you are interested. )

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This layered piece may end up stitched into a felted mixed media piece. I like the torn edge very much, and have a half formed idea of beads piercing the edges in random spaces… We shall see.

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But I decided to take the smallest one and really experiment. I have done 1 freeform peyote piece in my life. ( it was for a COM with a SueBeads scarab, actually). I wanted to try having the freeform grow out of the beaded bezel… In my sketch below. see the shape? Sort of a triangle.

 

I really have no idea what I am doing – and it is SO much fun! Here is as far as I have gotten… this could take a while. Queue up the Netflix – and lets bead!

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No one is more surprised than me… 

 

Please join my fellow AE team members and our guests for the blog hop and creative sharing!

Art Elements Team:
Lesley Watt: http://www.lesleywatt.com
Jenny Davies-Reazor: https://jdaviesreazor.com
Cathy Spivey Mendola: http://cmendola.blogspot.com
Sue Kennedy: http://www.suebeads.blogspot.com
Caroline Dewison: http://www.blueberribeads.co.uk
Laney Mead: https://laney-mead.blogspot.com/
Marsha Neal Minutella: http://blog.marshanealstudio.com
Claire Fabian: https://saraccino.blogspot.com

Plethora of pods – the Art Elements theme reveal

This month at Art Elements, Jennifer challenged us to be inspired by “pods”. See pods, organic shapes, to me, very symbolic of potential and growth. I have been a pod collector for years – and inspired by their myriad forms and interiors!

Yesterday I wrote about the humble eucalyptus, a favorite of mine. I am using its structure to stamps ceramic charms. These “organic ceramic” pairs will be ready for Bead Fest!

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Ceramic eucalyptus charms on the bead table!

In revisiting pods, I happened across a few hand held sculpted pods in stoneware clay. I had never glazed or finished them in any way… so what better time? These two are painted in multiple light layers of acrylic paint, in washes and some dry brushed texture. The pod on the right does spill forth a full hand full of individually rolled seeds.

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These older stoneware pods finally (cold) finished.

But as to new ideas – I turned to polymer. And seeds, and pearls. These are large-ish statement pendants. The red seeds ARE seeds – and that pod was finished with resin to keep the seeds in place. The other pods, incorporating pearls, are connected to the raw clay with head pins. These pendants are drilled at the top for stringing. Should I make more?

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Pod pendants available at online FB show: “One Sweet Bead Market” August 6th. And at Bead Fest Philadelphia – Aug 17-19th.

The final pieces are still works in progress. The goddess figures are inspired by votive figures found the world over, across thousands of years and all cultures.  This goddess icon and the pod are fused. The figure on the left will be filled with pearls. The figure on the right pairs two contrasting clay bodies and will be glazed to accentuate that contrast.

The smaller pods are a eucalyptus, my frequent muse and a smaller pea pod style that will also hold pearls. I will have these and more like them at Bead Fest as well.

WIP pods

Fresh from the kiln

I hope you have enjoyed this plethora of pods – please take a look at the other participants!

Guest Artists:

Tammy

Raven

Alysen

Anita

Cat 

Kimberly

Rozantia

Sarajo 

Divya

Caroline

Catherine

Kathy

Jill

Art Elements Team: 

Claire

Caroline

Lesley

Niky

Laney

Susan

Marsha

Cathy

Jen

One print at a time: exploring fairy tales.

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Art by one of my favorites: Trina Schart Hyman

It started with a query – from 2 scholar/witch/fae/creatrix – would there be interest in an online course on Fairy tales? The dynamic duo of Sara Cleto and Brittany Warman are folklore scholars, authors, Phd candidates and all around magical women. the answer from the “tribe” was a resounding YES. And so The Carterhaugh School of Folklore and the Fantastic was born.

We read original tales, we read variations, oral accounts, famous versions, obscure versions. We discussed themes, cultural and historical context, symbolism…. I created a kick ass Pinterest board for myself. I have been a reader of fairy tales my whole life I didn’t stop at an age when so many “grow up”. I had one rare elective block in college/art school and I studied Children’s Literature, for fun. I regularly reference fairy tale themes in my current work. If anything I appreciate them more now for their symbolism, and archetypal references.

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This G. Laite illustration is one I remember vividly from my childhood!

So as the Carterhaugh course drew to a close, we began to think on our ( optional) final project. Optional? Really? This is the whole reason I wanted the course! To discuss, and learn, but to put that all into practice. I decided to do something COMPLETELY different than the artwork I do as my job. I was giving myself permission to play – to take the path less traveled… Enter block printing.

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I decided to do a series of 6 prints based on the tales we read. There were 10 lessons in the course – I WANTED to do 10 prints and I still may over the course of the year. But 6… ok I have three done. I designed the compositions to use and re-use many iconic motifs, a mix and match in a way. I just finished today, on the due date! Ink is still drying… but let me share with you…

Red Riding Hood: 

I have always liked Little Red Riding Hood. I like the versions where she makes choices, where she chooses her path. Literally and metaphorically. There is a great article by Terri Windling here that looks into the symbolism of needles and pins in the RRH tale. Choices, woman’s work, woman’s roles… SO I knew needles and pins would be included in my print.

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RRH print: 4 printed motifs, hand colored, drawn details.

 

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Limited edition prints and cards. Coming to Etsy soon!

 

BlueBeards’s Egg:

From the Perrault “BlueBeard” to Angela Carter – I am drawn to this gruesome tale – again with an active female protagonist who makes choices! Im not really a princess kind of girl… I do find the symbolism of key and egg and blood to be evocative, and not too Freudian but very primal and archetypal. Blood and fertility and sex and death.  This is an icon I have used before in jewelry – it was greatly satisfying to add text. A little spin on the egg, referencing the tales and their tellers.

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Skin tones were a challenge with my limited palette of printing inks. These two are the best.

Aschenputtel ( Cinderella)

We all know the tale of the Fairy Godmother, the pumpkin coach, the singing Disney mice. But I find the older German version ( Grimm Bros naturally) much more haunting. Cinderella/Aschenputtel waters her mothers grave with her tears. A pear tree grows – and through all the magics the tree is the benefactor. Theres a natural Earth/goddess vibe here, IMO, a remnant from pagan folk roots? Ash is put through trials, she perseveres, and is aided by creatures from the natural world. This morphed in my mind with the Tree of Life in cultures around the world, and became a very rich, multi faceted idea. I will revisit this in clay – perhaps a Mythic Nature tile?

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Here are a series of images to show the printing process. Each item is printed individually – and I simply eyed up the placement. No complex registration marks needed. Broom. Tree. Tears. Then Dove 1, Dove 2. Pear, Mouse 1 and Mouse 2. Whew! These are strewn about the studio – ink wet – as I write this.

Next up will be a design from The Glass Castle – a variant of the Sleeping Beauty tale. I simply ran out of time.

One thing about printmaking? There are multiples! I have a limited edition run of each print – 9 or 10 of each. And I printed cards as well. I will be listing these on my Etsy shop this weekend if you care to take a look.

Thanks again to the Carterhaugh School and Sara and Brittany! It was a pleasure and I look forward to future courses!

 

Coming out of hibernation… new tile designs

This has seemed like the longest winter and the shortest winter! But Spring has finally sprung – even with Her last gasp of icy weather. I have not been idle – even thought the posts here have been sporadic. With the new season awakening  I will breathe new life into this blog!

Since this is the time of year when I have no real shows to speak of – I have been designing and sculpting new tiles for my Mythic Nature line. Here is a visual journal of the 4 new designs – and one revision. These designs will be available starting with my show at Spoutwood Farm’s May Day Faerie Festival! 

The triple raven design will be a nice partner to my Triple hares design. I left the bird bodies free of feather/texture as I can customize that by hand. Some will be painted with feather detail – others will be glazed in glazes that “break” over texture.

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Mandrake tile in progress

The Mandragora – or mandrake tile is a new vision of a motif I had before. The previous version was from a Medieval woodcut. This is a more organic version – with leafy swirls and tendrils. The text will be carved into the scrollwork individually.

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” A book is a dream…” sketch

Neil Gaiman said: ” A book is a dream that you hold in your hands.”  This dreamy tile was inspired by things I love: pets, coffee, books… While I do not currently have a cat, it embodies cosiness to me. All the creatures, sharing space on a lazy relaxed day filled with fabulous reads. And coffee. Always coffee. This tile  – Im really excited – to do patterns in the armchair! Textures! Sgraffito! Glazed patterns!  SO many ideas.

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Sculpting the forms.

A fairy door – just testing the mold here. Matte finishes, speckles of moss and lichen on the rocks. Metallic glazes on hinges….

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And this is new for me. Last year I created a commemorative design, an Art Nouveau faerie, for the 25th anniversary of Spoutwood’s Faerie Festival. ( If interested – email me – there are still a few available.) I loved the figure – and decided to adapt the design for continued use. I see her with starry sky behind, holding the moon. I see her as an Earth spirit with a globe. I see her with florals, or leaves, or an orb of fire. Stay tuned!

I’m really excited and invigorated with this new body of work. I have fallen in love with clay again. Please sign up for my newsletter if you are interested in new work-in-progress pix and news of upcoming shows! (Sign up on the top left. ) 

It’s all in my hands. 

Last year I challenged myself to create a beaded tapestry each month. I decided that I do enjoyed the process, the exploration, the structure of the challenge – that I would do it again. 

This year I have created 12 hands in polymer, holding various symbols that related to myth or the seasons/wheel of the year. Join me on this journey! I will be posting the inspirations and meaning each month as I design and create the mixed media piece. 

A year of Goddesses: part 2

For the first half of the year – go to this original post.

It started out as challenge to myself. Inspired by artist/beader and  now fellow Art Elements contributor Cathy Mendola. It turned out to be educational, inspiring, and very, very fulfilling. Here is the remainder of the 2016 beaded goddess tapestries: 2016-part-2

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December may be my favorite. Mandala and snowflake inspired shapes crown her head. 

November – with a nod to Thanksgiving – rooted, holding wheat, recalling the harvest. 

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October brings Dia de Los Muertos. The color palette  and designs inspired by sugar skulls and talavera tiles. 

September/Virgo is my sign. I wanted her to reference the Zodiac a bit with the plenty/harvest that adorns the frame. 

 

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August – the ocean. Cresting waves, sandy neutrals. 

July – the summer sky and a hint of swirling fireworks. 

I am beginning work on a series for this year. While I had intended to take a smaller seasonal challenge this year – I had a great idea…. Stay tuned! Pictures coming!