Tangled webs: the waxed linen blog hop reveal

Waxed linen. 

When I think of it I imagine the colorful options, know it is versatile, and then draw a blank. Its not in my wheel house. Friends like Linda Landig and Erin Seigel, to name a few, use it with great results. But for me… its a challenge. So thats exactly why I decided to join when Diana of Suburban Girl Studio announced this blog hop. 

I sat down with my journal – and a coffee – to try to sketch… I like to think visually on paper in doodles. The characteristics of waxed linen that I was drawn to: multi strands, an assortment of treasures, versatility for beads of varying size holes, and I wrote down one word more, that really started the ball rolling. WOVEN. 

Athena and Arachne. 

In Greek myth, Athena ( Goddess of wisdom, war, and patroness of the arts) enters a contest with Arachne. Arachne, a human girl of consumate skill at the loom, commits a fatal mistake by bragging of her talent and offending the Goddess. They weave tapestries in competition, and although Athena wins, Arachne’s skill is great. Arachne hangs herself in the tatters of her weaving. Athena, in a moment of mercy, transforms the girl into a spider so she is allowed to/cursed to spin all her days.

Polymer hollow focal

I created a hollow polymer focal with aluminum tubing inside to act as a channel for multiple threads. The owl, representing Athena, is cast from a reproduction drachma. The web for Arachne is a linoleum stamp that I carved to use in clay. I toyed with various spider options, but they ended up distracting from the focal… 

thread and beads choices!

I have an amazing assortment of waxed linen from Mary at White Clover kiln. I also delved into my Czech glass treasure, from back in the days at the Shepherdess in San Diego. Just making the color decisions was the hard part! 

knotting the strands

My original plan involved all three of these strands. Two are double strands, knotted at intervals with beads spaced an inch or so apart . The third was denser, knots, 8’s and drop beads, continuously knotted. I liked the contrast of the more open strand with the denser strand. But all three – was too busy. Here is what I decided on in the end: 

 Tangled web - Athena and Arachne

The front: greys, blues and golds. A linen tassle dangling from the embedded loop. ( Note the top. The channel inset in the pendant was too narrow. Wrapped loops solved that problem!)

Tangled web - Athena and Arachne (back)

The back: Arachne’s web

So I was left with a knotted strand – just waiting for a pendant. Here is the bonus necklace I created with one of my ceramic fairy pendants. ( Fired to ^10 reduction for you clay people out there)

Bonus piece

 So – if I can muse philosophical for a sec, I am glad I did this. I don’t see waxed linen being my go-to material. I respect it, and designers/artists who work with it. I can see using it as an accent in mixed media pieces. I am happy with my pieces, and would love to hear your thoughts!


Thanks to Diana for organizing the challenge. Please visit her page for the links to all of us participating! There are sure to be diverse offerings, and many beautiful things! 

Thanks to Mary Hubbard for the sample bag of the waxed linen from her shop! I purchased it from her at Beadfest a year or two ago, and the plethora of pretty colors really inspired me to try my hand at linen and knotting! 

To my fellow participants – I am currently photographing flowering cacti in Austin, TX – and visiting family. I apologize for the delay, but I look forward to “hopping” as soon as I can! 

Inspired by Reading: “My Mother she killed me, my father….”

I am always “Inspired by Reading”. But this month the selection was so… diverse, enchanting, haunting, original, epic in scope… 

This month’s book was “My Mother she killed me, my father he ate me” forty new fairy tales, edited by Kate Bernheimer. Its an amazing selection of contemporary authors with a magical foreword by Gregory Maguire, author of “Wicked”. I will confess – I have not read them all. The book, to me, was like a box of chocolates. If I read them all at one time, I will over due it, and not appreciate the flavors and nuances. I think I have read 9 or so. And so many ideas sprang from those 9… 

Book group!

(Pictured here with “Hopeless, Maine” a graphic novel by Tom and Nimue Brown. A delightful dark, beautiful read.) 


The story I chose was “The Swan Brothers” by Shelley Jackson. The original tale from the Brothers Grimm is a familar one. Evil stepmother curses brothers to spend eternity as swans by day, men at night. Their only sister has to spin nettles to yearn and weave capes/sew shirts for them within 6 years to break curse. And she must not speak. Falls in love and marries prince, bears children. Accused and vilified by truly evil MiL, condemned to burn for murdering her children.  She completes all but one sleeve and transforms her brothers and saves herself in the nick of time.  This is already a potent tale for someone who works with archetypal images and icons full of symbolic meaning. Its a tale of transformation on many levels; not only the brothers, but the raw materials, the traditional woman’s work of spinning and weaving, a domestic alchemy, if you will. Its what artists do – transform raw materials into works of meaning, symbolism, beauty and power. 

This tale combined the transformative powers of the magic with the actual work of an artist – as the sister is a performance artist toiling away on said shirts for years in a storefront gallery! I loved the dark irony of that… The story is woven together with different threads of memory, dream, imagined events, and current happenings. It shuttles back and forth, weaving a mysterious whole from the disparate parts. What is truth? What is imagined? 

The themes are sacrifice, pain, and transformation. The artist/sister weaves nettles into shirts to replace feathers, and dreams all the while of flight. She climbs a glass mountain to retrieve her children, opening the lock with a finger bone. My sketchbook contains these words: spin/weave, yarn, nettles, feathers, wings, arms, bones, keys, locks… This is the feather shed by a swan wing, it is the wing of the last brother, its the wings denied the self sacrificing sister. The story has such a contrast, an interplay between opposing materials that I wanted to include the bones to ground the piece, to temper the prettiness of the feather. I intended to incorporate the resin wings, and found they were not suited to the polymer focal. 

Feathers and bones

Feathers and Bones – polymer feather cabochon, brass, polymer, acrylic paint, glass vial, bones, chain, sterling wire, & gems ( blue tiger eye, amethyst, sapphire jade, calcedony, crystal)

from the story: “…you find, pressed between two pages, a feather. It is white, it is black with an iridescent sheen, it is pigeon-grey…” page 85

Feather and Bones

Then the second necklace sprang to mind almost fully envisioned…  

Silver hands necklace

The Armless Maiden – antique clock key, vial of silver leaf, silver charm, porcelain doll hand, copper, cap, vintage minature pocketknife, vintage chain, garnets, silk. 

from the book – “Occassionally a woman with silver hands brings pears.” page 88. This single line – introducing the “Armless Maiden” as a friend to the protaganist, spoke volumes. The folktales tell of her life, hands cut off by her own father. Differing versions blame the devil, lust… Silver hands feature in the folk tales, and also bring to mind the Irish god Nuada, King of the Tuatha de Danaan.  This necklace is for her, a talisman of loss and transformation, blood and bone. 


But I still wanted to reference the wings and the swans that are integral to the story in all its incarnations. This piece will utilize the resin wings, and showcase  the swans in a more traditional fairy tale context. 

Swan's wings WIP

The Swan’s wings (in progress) – antique postcard, antiqued bronze setting. resin, antique book text, wire...

 This was a very fertile challenge for me – as I am drawn to fairy tale imagery and symbolism in my work. I can see other pieces arising from otehr tales as I savor the delights included in this book. Stay tuned… 

I look forward to hearing your feedback – whether you are familiar with Shelley Jackson‘s tale or the Brothers Grimm original.  The other artist bloggers participating this month will be listed and linked from Andrew’s blog. Please take a peak at the tales they have unraveled… I dont think they will disappoint!