Planes, Trains… or postage stamps?

 

I am an Anglophile. To those that know me that comes as no surprise. I lived in London for a semester in college and it was the most formative impactful period in my life. My husband and I went to the UK on holiday for our honeymoon and my 40th birthday. (That was a surprise, too. I have never happy cried so hard!)

My work is deeply, fundamentally inspired by my Celtic heritage, by folklore and fairy tale, by myth and magic. And every so often I try to “cross the pond”. You may know I also write for a fabulous blog called Art Elements. My team mate and friend Lesley has invited me to visit and have an art retreat of sorts. ( We have done the same here at my house the last few years). So in an effort to raise the necessary funds – I have created these pieces. This year is the Queen’s Sapphire Jubilee – what better way to raise funds and nod in respect to Queen Liz than there?! The stamps come from my childhood stamp collection – and may go even further back to my  Dad’s collection.

The pendants are double sided – the back included UK map sections. Maps taken from the Encyclopedia Britannica atlas from my childhood! They are going to be listed on Etsy as soon as I finish here… and while sold as pendants with my fellow creators and designers in mind…. can easily be made into a pendant with a gemstone angel for a small additional fee. If you are interested in supporting me and my travel fund – please check them out! I am designating 100% of the sea of these pieces to my travel fund!

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Convo me if you want a necklace with gemstone dangle! 

Clay and linoleum – an unlikely duo?

Update from the studio… 

!. Glazing all day. 

2. Bisque firing what may be last load before Beadfest. 

3. Mopping up basement as its a monsoon out there. 

4. Waiting… to unload new goddesses from the ^10 reduction firing at the “work” studio!

And thinking of printmaking. 

My friend, fellow clay artist and AJE member Diana P. wrote a post this week regarding her foray into carving stamps. She is working with EZ carve – similar in consistency to white erasers. Its great to carve, but a little springy. Too soft for what she wanted to do in clay, but great fun nontheless. 

So I decided to share some linoleum I had carved, and stamped into clay. This is the economy “battleship” linoleum that I used to use when I taught art/printmaking as a public school teacher. Its shallow but very firm and worked well for my new dseries of icons. 

Lino pendants

Yin Yang and Om signs in clay – awaiting finishing.  

carving area

Here’s my carving area, complete with bench pin, and a few other “icons” in progress. This series I designed to keep simple and have the symbol itself be very clear and legible. I like the texture the carving leaves – as contrasted to the smooth background surface. These are going to be glazed in an array of colors… 

Fairy door tile

And one more example of linoleum and clay in tandem: this is a clay tile/print from a linoleum block I carved in San Diego. When I lived there I had an amazing artist/mentor in Sibyl Rubottom. This was from a printmaking and letterpress workshop I took at her studio, Bay Park Press. It was carved to print  and accompany text set in letterpress. And so I tested it in clay – was thrilled the depth was sufficient to give me a print to glaze. This was the test piece; I plan to do more for my fall shows. 

I am excited to be able to draw on the creative energy of that fruitful time – although I work in such different materials. I am glad the block carved 10 years ago and across the US can be reborn here, now. In many ways my series of “Mythic Nature” tiles and pendants are similar to a run of prints… but that philosophical musing will wait for another day. I have more to glaze…