Beading Back in Time – Blog Hop Reveal

 (If you are looking for the Art Jewelry Elements April COM follow this link. Thanks! )

 

Beading Back in Time! Time to find the Tardis key, walk through a certain circle of stones, or fuel up the DeLorean… 

This quarter we are inspired by ancient history, “Early Human” which for the intents and purposes here will be prior to 3500 BCE. Now this time period resonates with me… I hve been drawn to the carved stone goddess figures since childhood.  If you want to get really careful with dating and art history this period is even before the famous cave paintings of Lascaux! So I thought for sure it would be goddesses that inspired this challenge! 

ancient goddesses

1. Venus of Willendorf 2. Venus of Brassempouy 3. Venus of Laussel 

Goddess work collage

My goddess tiles, and small sculptures. 

Goddess amulet planning

So I set aside a small simple stoneware goddess. She is bare clay, fired to ^10 reduction with a wash of iron oxide to give her a patina. Iron oxide is a naturally occurring pigment, just rust actuallly, and it was used to color stone and cave paintings of this era. I tried her with honey tones, with rugged chunks of labradorite, with craggy rough turquoise. And I havent made a decision yet. I have an existing piece ( shown bottom left above) where I paired a stoneware goddess with Roman glass, geode slices, bronze ammonites… and I wanted to do something different. We’ll see what I finally decide on. I’d love to hear your thoughts! 

 Here is what I did end up with as my “Early Human” offering: 

Tab set in copper, this Marsha Neal cabochon is a dark clay body with a white “crusty” glaze. This already felt right, but its a spiral – an ancient motif that can embody change, journey, progression, life, cycles, it was perfect. I was drawn to use other ancient materials – a hollow shell that is reminiscent of bone, and a chunk of amber. Both bone and amber were used as adornments since… forever. 

Early Human amulet

I wasn’t sure I would have time to complete the necklace parts, but the Muse ( and the clock! ) cooperated: 

Seed pods and chunky howlite connect the copper chain to the sari silk. Although rawhide would have been more historically accurate, the silk was the right fit  aesthetically. 

Final version!

 I love the pieces together, the spiral and the amber really sing to me. Please join us in this time travel inspiration, to our early human roots! 

All the participants links can be found at Sherri’s blog OR Lindsay’s blog. 

Thanks for joining us! 

 

 

 

 

Seeing red… the AJE Component of the Month

    Looking for the “inspired by Reading” hop? 

 

 Welcome to the April CoM reveal from us at the Art Jewelry Elements blog team! 

This month’s offering is presented by the fabulous Lesley Watt of Thea Too. Lesley has recently expanded her clay repertoire from metal clays to include earthen ceramic clay as well – and made this batch of stellar clasps. I was tempted to say “Surprise me!” as so many are really my style, but I LOVE  a  dark stoneware… 

Lesleys CoM clasps

When my clasp arrived – in lightening speed from the UK, I must add – I was simply seeing red. Not in anger, but in inspiration. THe dark stoneware was accented in the spiral design with just a hint of red glaze. I was htinking a bracelet bar in black and red, with some corresponding swirl/spiral design. 

CoM option 1

I textured and cured the black polymer bracelet bars, curing them on a can to maintain their shape. I wanted to experiment with polymer in this style of component, and test its strenght… It was going to have a copper stamped bar riveted on as well – adding structure and support. And on the third and final tube rivet… I broke the corner of the polymer. The saying “Know Thyself” is attributed to the Delphic Oracle, and a favorite of mine. 

My original plan was to make a triple wrap bracelet, starting with the bracelet bar and incorporating leather. So I went ahead with that plan and created a pair of charms – polymer in copper bezels. These two echo the color and pattern in Lesley’s piece.  I ended up with a double wrap bracelet.  

Seeing red CoM images

Yes, that is a fluted gunmetal ceramic bead from Caroline/Blueberri Beads in there. Ingredients also include: vintage resin, lava beads, and wire wrapped links. 

CoM WIP

I am very happy with the ingredients. I like the colors, the patterns and the textures as they are. I am not as happy with the overall composition or the fit. And I need to rewrap those wire wraps on the leather, they bug me. So I am dubbing this a WIP. I hope to revisit the bracelet bar idea in the near future, and use these ingredients again. 

Please! Help me out. Thoughts? Advice? 

Then you can check out my teamates and our guests this month. But first I would love to hear your thoughts… 

And thanks for stopping by! 

 

 

 

 

For the love of lino…

 This week is brought to you from the Dining Room table, my new temporary studio. I am tending a furry kid, who needs darn near constant watching… as he worked long and hard, in stealth, to remove his sutures. He is an angel IF I am in the room. 

DR studio

I have been working on my daily art journal cards – the ones to fill my vintage Rolodex. And I have been carving linoleum. 

Lino desk

There are new Celtic and mythic designs in the works. These lino blocks can be pressed into clay to create a detailed, low relief tile. Perfect for painting! There above – the Uffingtom horse, an ancient chalk figure from Britain. Below: previously carved Celtic knot, swirly cresent moon, with a test print of sorts, and a small triskele, perfect for pendants. 

Love Lino collage

I have always loved linoleum printmaking. And this was a focus of mine in San Diego when my ceramcis studio access was severely limited. I have been incorporating linoleum carved designs into my beads/pendants for a while, but I had a wonderful lightbulb idea… to create prints and tiles in tandem. My original drawings, whether my designs, or historical references; pressed into clay, printed onto paper. Working in a series, different colors, maybe some hand tinted prints. The idea is very exciting to me! (I wont be able to take these to all my shows as some jury processes are more limiting than others… )

Pendant designs

A trio of Celtic designs, all under 2″. I want to test them in clay today! 

Uffington stamp

Working in parallel series – the Uffington horse. Pressed into clay the horse design will be raised, allowing me to easily glaze the background and keep the horse white. 

 

Ok – off to the studio, I mean the dining room. I love my job! Stay tuned for test prints and test pressings on the FB page ASAP!

 

April Component of the Month! Headpins…

 (If you are looking for the “Inspired by Reading” post and creative reveal – please click here. )

 I love it when a plan comes together. I received these simply gorgeous glass headpins from the hands of Jen Cameron for this month’s Component of the Month at Art Jewelry Elements. But I was out of town. I got home with 36 hours until the reveal… and I was tired and had mounds of laundry to do… When I sat down this afternoon I was thrilled to make it work – and I am pleased with the results. 

Jen's headpins

The headpins made me think of water. Not only the color, but the spiral and the tiny bubbles… I have been working on and off lately on a series of Goddess necklaces. This color and the element of water made me think of Yemanja. She is the Yoruba orisha, or diety of water, childbirth, the essence of the ocean. She was and is revered in many Afro-American regions, from Brazil to the Caribbean. (My Yemanja figure, shown on my “water” shelf with Sulis from Bath, is from New Orleans. ) Over time, Yemanja was seen to share many characteristics with the Virgin Mary: protectress of women and children, robed in blue, Mother of all… Mary is also known as Stella Maris/Star of the Sea thus linking her with the ocean as well. 

Water elementals

So I started browsing the stash… and started with a piece of sea glass. Here is a little “photo essay” of the selection process: 

planning pix

After that – the Parawire and the seashell were kept in the mix, along with copper links. I found the color blue more vibrant than the gems in my stash, and turned to Czech glass and crystal to satisfy my palette. The copper links are stamped “etoile” and “de la mer” to reference Yemanja/Stella Maris/Mary. 

the necklace

Coiled wire bail, dangle headpin, stamped copper links, wire wrapped crystals and glass beads, sari silk, seashell, hand made wire clasp. 

Not bad for a day’s work! What do you think?

Please stop by these blogs – my team mates and the guest designers participating this month: 

Guest Designers:

Erin Prais-Hintz

Kathy Lindemer

Alice Peterson

 

AJE Team:

Susan Kennedy

Lesley Watt

Melissa Meman

Linda Landig

Jen Cameron