For the love of lino…

 This week is brought to you from the Dining Room table, my new temporary studio. I am tending a furry kid, who needs darn near constant watching… as he worked long and hard, in stealth, to remove his sutures. He is an angel IF I am in the room. 

DR studio

I have been working on my daily art journal cards – the ones to fill my vintage Rolodex. And I have been carving linoleum. 

Lino desk

There are new Celtic and mythic designs in the works. These lino blocks can be pressed into clay to create a detailed, low relief tile. Perfect for painting! There above – the Uffingtom horse, an ancient chalk figure from Britain. Below: previously carved Celtic knot, swirly cresent moon, with a test print of sorts, and a small triskele, perfect for pendants. 

Love Lino collage

I have always loved linoleum printmaking. And this was a focus of mine in San Diego when my ceramcis studio access was severely limited. I have been incorporating linoleum carved designs into my beads/pendants for a while, but I had a wonderful lightbulb idea… to create prints and tiles in tandem. My original drawings, whether my designs, or historical references; pressed into clay, printed onto paper. Working in a series, different colors, maybe some hand tinted prints. The idea is very exciting to me! (I wont be able to take these to all my shows as some jury processes are more limiting than others… )

Pendant designs

A trio of Celtic designs, all under 2″. I want to test them in clay today! 

Uffington stamp

Working in parallel series – the Uffington horse. Pressed into clay the horse design will be raised, allowing me to easily glaze the background and keep the horse white. 

 

Ok – off to the studio, I mean the dining room. I love my job! Stay tuned for test prints and test pressings on the FB page ASAP!

 

Clay and linoleum – an unlikely duo?

Update from the studio… 

!. Glazing all day. 

2. Bisque firing what may be last load before Beadfest. 

3. Mopping up basement as its a monsoon out there. 

4. Waiting… to unload new goddesses from the ^10 reduction firing at the “work” studio!

And thinking of printmaking. 

My friend, fellow clay artist and AJE member Diana P. wrote a post this week regarding her foray into carving stamps. She is working with EZ carve – similar in consistency to white erasers. Its great to carve, but a little springy. Too soft for what she wanted to do in clay, but great fun nontheless. 

So I decided to share some linoleum I had carved, and stamped into clay. This is the economy “battleship” linoleum that I used to use when I taught art/printmaking as a public school teacher. Its shallow but very firm and worked well for my new dseries of icons. 

Lino pendants

Yin Yang and Om signs in clay – awaiting finishing.  

carving area

Here’s my carving area, complete with bench pin, and a few other “icons” in progress. This series I designed to keep simple and have the symbol itself be very clear and legible. I like the texture the carving leaves – as contrasted to the smooth background surface. These are going to be glazed in an array of colors… 

Fairy door tile

And one more example of linoleum and clay in tandem: this is a clay tile/print from a linoleum block I carved in San Diego. When I lived there I had an amazing artist/mentor in Sibyl Rubottom. This was from a printmaking and letterpress workshop I took at her studio, Bay Park Press. It was carved to print  and accompany text set in letterpress. And so I tested it in clay – was thrilled the depth was sufficient to give me a print to glaze. This was the test piece; I plan to do more for my fall shows. 

I am excited to be able to draw on the creative energy of that fruitful time – although I work in such different materials. I am glad the block carved 10 years ago and across the US can be reborn here, now. In many ways my series of “Mythic Nature” tiles and pendants are similar to a run of prints… but that philosophical musing will wait for another day. I have more to glaze…