DEFunADay! This Friday at the DCCA!

February is the shortest month. 

28 days. 

The Delaware Fun-a-day project is simple. Create something each day. Exhibit them. Its a free, volunteer run event, and I cant wait to see everything this Friday. The opening is at the Delaware Center for the Contemporary Arts at the Riverfront in Wilmington, from 6-9pm. 

DE FunAday1

FunAday2

Since February starts with Imbolc/Candlemas – the feast day of Brigid… I decided to do sculptures. Goddesses, clearly. The Celtic goddess Brigid was a fire goddess: the fire of the forge, the creative fire in the head, and so, to me, the fire of the kiln as well. I was inspired by ancient and archaic goddesses from all cultures, from teh Venus of Willendorf through Cycladic idols. It was a great pleasure to sculpt freely, with few limitations. I kept the size small both to keep them intimate in scale, but as a logistical, practical requirement to the Fun A Day project. 

I have a few orders for goddess cabochons, to be used in jewelry, and I do foresee making more of these simple, evocative figures in the the near future. 

Hope to see you on the 6th at the DCCA! 

 

 

Old is new again… rejuvenated shrines.

February is short and speedy. I realized that I hadn’t blogged yet all month, and I have a lot to share. This month my show opened at the Palette and the Page in Elkton, MD. We had a fabulous opening on First Friday! So many friends attended, old and new, and I thank you all! 

The timing of this show created a challenge for me. The ceramics studio where I work and fire larger pieces was closed from early December until the third week in January. I had started quite a few shrines, and some large sculptural figures… but it wasnt meant to be. I couldn’t get them dry/fired/glazed/fired in time. So I turned to some orphans I had waiting patiently in my studio. These are pieces that were perfect; no flaws or faults… but they hadn’t ever been completed with their interior elements. I was waiting inspiration, and this year it came! So I wanted to share a few of these with you. 

“Hope springs eternal”

B/F Hope Springs

It all started with the hare, a carved boxwood netsuke bead. The polymer egg is the work of Barbara Bechtel of Second Surf. From the hare and the egg, symbols of spring in many cultures, the rest fell in place. 

“Into the Woods”

Into the Woods

This was loosely inspired by the topic of Red Riding Hood and a discussion that occurred on Terri Windling’s blog. Terri is a Muse of mine, a fountain of folkore knowledge. The piece was carved with trees, intending to have a woodland theme. I sculpted polymer bread and a jug to go inside, referencing the items Red takes to Grandmother… 

And so you see – pieces that were waiting for me. This altar (below left) was a blank slate. I decided I wanted to hang elements, but hadn’t drilled holes before firing. The solution? Fabricate decorate wire hooks, or course. The bright butterfly piece shown below – that was dates 2011. The intense colors are not my usual palette, and it languished. But a polymer moth, hovering in from of a floral collage? Really visually pleasing to me… 

New shrines

Making the links

This piece is a personal favorite, a successful blending of techniques. I have been happily seed beading and adding bead embroidery to my jewelry repertoire. I want to make the wearables and the sculptures cohesive as my body of work. Beading the bottle element in this shrine adds a level of detail and color. It also makes connections to jewelry pieces displayed in the show. 

I hope people do get a chance to see the exhibit, which will remain up for this month. I am represented by the gallery, and do have other ceramic and mixed media pieces on display. Patti Paulus, one of the artist/owners created this wall for me. I was giddy! 

Gallery wall

The Palette and the Page: 

120 East Main Street ~ Elkton, Maryland
410.398.3636
Tuesday – Friday 11am-6pm  &  Saturday – 11am

Stay tuned for the next February update: February FunADay! 

 

 

 

 

 

Whirlwind of beads. AKA Beadfest 2014

 Bead Fest was two weeks ago?! Where has the time gone? Don’t answer that – I know: packing, unpacking, sorting. Sleeping, fondling beads, visiting with friends, art camp, field trips… More on the latter soon.  

So here are the hightlights, and the loot. 

 

1. Bead Fest is social!  Hanging out with Staci and Linda on Wednesday, the annual AJE dinner! So much fun! 

BF14 social!

2. Bead Fest is colorful and diverse. My display is for sure! I always bring a few tiles as they run parallel to my Mythic Nature pendants. Sold a few too!

BF my display

3. Bead Fest is preparation – for me! So much to pack and remember for display, class, swaps…  This was my class room still life from set up. Even though it was early Sunday morning – it went so well! And everyone had a great time, it seems. 

BF class prep

4. Bead Fest is learning. Teaching. Creativity. Exploration.  I was thrilled to teach at my first Bead Fest. I taught a mixed media class that incorporated quite a few techniques – that I am confident the students will apply in their work moving forwards. Here you see student work-in-progress, my concentration face, and class samples below. 

BF class WIP

 

Beadfest is shopping. Art beads. Glass, clay, metal, polymer, gems…

BF loot1

(Diana/Suburban Girl, Anne Gardanne, SueBeads, Jen/Glass Addiction, Humblebeads, HMB Studios)

BF loot2

(Sue beads, Caroline/Blueberri beads, Karen/Starry Road, Kristen Stevens, Melissa Meman, Diane Hawkey, Staci Smith, Lesley/THEA designs)

BF loot3

(Caroline/BlueBerri Beads, Mary/White Clover Kiln, Basha Beads, Kristi Bowman, Staci Smith, Green Girl Studios)

Hope you enjoyed that whirlwind recap! Now off to the studio to make more stuff! Fall shows are around the corner… 

Mixed Media Amulets – my Beadfest class draws near…

 Or – how an idea evolves and grows!

In just over two weeks I will be setting up to exhibit at my third Beadfest Philadelphia. But this year will be my first year teaching, and I couldn’t be happier! (Details are here!) The idea for my mixed media amulet class started with a ceramic cab I made – and a piece I designed for Art Jewelry Elements Component of the Month… The theme was a labyrinth – and I dove onto the meanings of the symbol. To me it represents journeys – both inner and outer. My journey to teach at Beadfest has been both. 

BF class samples

From top left: class sample with porcelain cab, necklace with polymer cab, the original CoM piece with labyrinth. 

I have been making, and making and preparing inventory for Beadfest, or course. But I have paid extra attention to the cabochons my students will receive in their “kit”. I have made many designs, in different clay bodies. I look forward to making a few more sample pieces – all in the nature of preparing to teach… 

^10 kiln loading

There were app. 300+ cabs in this firing of the gas kiln at the “work” studio. We fired to ^10 reduction – app 2400 degreed F.  

class cabs 2

Knotwork, triskeles, labyrinths… and a few pairs for the seed bead people!

 class cabs1

Athena’s owl, cobalt on porcelain, butterflies… 

face cabs BF

Faces – porcelain, stoneware, and glazed… 

I am grateful for the support of my teamates at the Art Jewelry Elements blog! I even have three of them enrolled in class! There are spots available – although some sawing experience is needed. Perhaps I will see you there? My class is Sunday morning – on August 24th. Here’s the link: mixed media amulet class. 

Oh – and an admission coupon for those of you planning to come and shop! Enjoy! 

BF coupon #461

Polymer Clay Collective Conversation: my interview

Polymer Clay Collective, a Facebook group, is devoted to Polymer. Canes, sculpture, whimsy, jewelry, skinner blends, etc. Its a fun group of people willing to share and discuss a medium that we all have in common. In an effort to get to know each other there is an interview series – and here I am! 

 

Tell us a little bit about where you live:  I live in Newark DE – a decent sized college town in Northern DE. I love that I am within 2 hours drive of the beach, Washington DC, Baltimore, and Philadelphia! I grew up in this region and am a big fan of four distinct seasons. 

 

What do I do when I am not “polymer claying”?  – well – I am a full time working artist… I used to teach art full time and now I have gone freelance, teaching ceramics classes on weekends and summers. I also teach workshops in the region. I divide my studio time between the ceramics studio and the mixed media studio. My “Mythic Nature” series is comprised of ceramic sculptural tiles and pendants. I also create ceramic shrines and altars, incorporating found objects, hand bound books and the like. My mixed media work ranges from jewelry to collage. A diverse array, I know, but I love the having the freedom and the skills to incorporated so many different mediums! 

 

What did you want to be when you were little/do you think you will ever be? I wanted to be a florist. I wanted to be my own boss, have my own storefront, and work with flowers. Will I ever? NO. I have brown thumbs. But I do get to run my own business, work with lovely materials in all colors and textures… Oh – then I wanted to be an archaeologist… 

 

Tell us something about yourself that we dont know. Hmm. I spent a semester of college living and studying in London. Its the single most transformative, influential experience on my adult/artistic life. I went to Art History class in the Tate Gallery once a week. I traveled to ancient sites and museums every spare moment. London still feels a bit like home… 

 

Tell us your polymer clay story: What made you first try polymer clay and how long has PC been part of your life?  I first tried polymer in… 1989? Kathleen Amt, Kathleen Dustin, Tory Hughes… the pioneers where my  inspiration. I taught polymer at a fine arts Summer camp. Then I put it aside in favor of earthenware/stoneware clay for years! In more recent scope, I was inspired to try it again when I had a chance to take a class or two with Christi Friesen. I started to apply my earthen clay sensibilities to PC and love the immediacy and the option for inclusions… 

 

 

What’s your favorite PC technique? My current favorite is image transfer onto PC, but my work ( PC or stoneware) always has texture… 

 

What are your art/design inspirations? So many! Thematically my work is inspired by mythology, folklore, goddesses, and nature. Keith LoBue is a friend and a mentor who has influenced my found object sensibilities. Lana Wilson is a ceramic artist whose textural language, use of symbols and hand carved stamps, and slab construction methods has been profoundly influencial to me. I have had the good fortune to work with both artists in a classroom setting. If we open an Art History book – its the Pre-Raphaelites that come first in my heart for their narrative works, incorporating myth, folklore, and fairy tale. But I could  mention Brian Froud, Andy Goldsworthy, Sulamith Wulfing, Joseph Cornell, William Morris… 

 

Show us something you’ve made with polymer clay. OK! 

 

 JDR PC transfers

As I mentioned – I love PC transfers! For bead embroidery, as shown here… or mixed media pieces – I love having another layer of meaning in my work. 

 

 JDR PC/resin

Resin! Layers of meaning… you see the theme? The “Language of Flowers” pieces incorporate vintage illustrations from a children’s encyclopedia. ( from my choldhood!) The text pieces  were features in January as the “Component of the Month” over at Art Jewelry Elements blog. Both will be available at Beadfest this August! 

 

JDR PC/mixed media

Tarot card inspired shrine pendants and my Athena piece from Diana Ptaszynski’s Waxed Linen blog hop – this was a hollow focal and has started many new ideas brewing! 

 

JDR PC Beadfest

Last, but not least! Mixed media amulet pendants – the class I will be teaching at Beadfest Philadelphia ( August 20-24th) Tab set cabochons, textured PC and all matter of paint finishes! 

 

 

 

 Thanks for stopping by and taking a look at my PC work – Leave me a comment if you feel so inclined! 

Until later… 

 

I can be found: 

FB – The Art of Jenny Davies-Reazor

Twitter – JDRshrineart

Etsy – Jdaviesreazor

 

 

 

 

 

 

 

 

 

Tangled webs: the waxed linen blog hop reveal

Waxed linen. 

When I think of it I imagine the colorful options, know it is versatile, and then draw a blank. Its not in my wheel house. Friends like Linda Landig and Erin Seigel, to name a few, use it with great results. But for me… its a challenge. So thats exactly why I decided to join when Diana of Suburban Girl Studio announced this blog hop. 

I sat down with my journal – and a coffee – to try to sketch… I like to think visually on paper in doodles. The characteristics of waxed linen that I was drawn to: multi strands, an assortment of treasures, versatility for beads of varying size holes, and I wrote down one word more, that really started the ball rolling. WOVEN. 

Athena and Arachne. 

In Greek myth, Athena ( Goddess of wisdom, war, and patroness of the arts) enters a contest with Arachne. Arachne, a human girl of consumate skill at the loom, commits a fatal mistake by bragging of her talent and offending the Goddess. They weave tapestries in competition, and although Athena wins, Arachne’s skill is great. Arachne hangs herself in the tatters of her weaving. Athena, in a moment of mercy, transforms the girl into a spider so she is allowed to/cursed to spin all her days.

Polymer hollow focal

I created a hollow polymer focal with aluminum tubing inside to act as a channel for multiple threads. The owl, representing Athena, is cast from a reproduction drachma. The web for Arachne is a linoleum stamp that I carved to use in clay. I toyed with various spider options, but they ended up distracting from the focal… 

thread and beads choices!

I have an amazing assortment of waxed linen from Mary at White Clover kiln. I also delved into my Czech glass treasure, from back in the days at the Shepherdess in San Diego. Just making the color decisions was the hard part! 

knotting the strands

My original plan involved all three of these strands. Two are double strands, knotted at intervals with beads spaced an inch or so apart . The third was denser, knots, 8’s and drop beads, continuously knotted. I liked the contrast of the more open strand with the denser strand. But all three – was too busy. Here is what I decided on in the end: 

 Tangled web - Athena and Arachne

The front: greys, blues and golds. A linen tassle dangling from the embedded loop. ( Note the top. The channel inset in the pendant was too narrow. Wrapped loops solved that problem!)

Tangled web - Athena and Arachne (back)

The back: Arachne’s web

So I was left with a knotted strand – just waiting for a pendant. Here is the bonus necklace I created with one of my ceramic fairy pendants. ( Fired to ^10 reduction for you clay people out there)

Bonus piece

 So – if I can muse philosophical for a sec, I am glad I did this. I don’t see waxed linen being my go-to material. I respect it, and designers/artists who work with it. I can see using it as an accent in mixed media pieces. I am happy with my pieces, and would love to hear your thoughts!

 

Thanks to Diana for organizing the challenge. Please visit her page for the links to all of us participating! There are sure to be diverse offerings, and many beautiful things! 

Thanks to Mary Hubbard for the sample bag of the waxed linen from her shop! I purchased it from her at Beadfest a year or two ago, and the plethora of pretty colors really inspired me to try my hand at linen and knotting! 

To my fellow participants – I am currently photographing flowering cacti in Austin, TX – and visiting family. I apologize for the delay, but I look forward to “hopping” as soon as I can! 

“The Interpreter of Maladies” – Inspired by Reading Book group blog hop

Interpreter of Maladies

Inspired by Reading Book Group. 

April’s selection: “The Interpreter of Maladies” by Jhumpa Lahiri

I was happy to have a chance to revisit these stories, as I had originally read the book 10 or more years ago. What I was instantly reminded of was their intensity. They are haunting, evocative, heartfelt and at times so very heavy. I was not able to complete the book this go through; both due to time constraints and the need to read something of a different mood. 

It was “When Mr. Pirzada came to dine” that inspired my piece this month. 

“Before eating Mr. Prizada always did a curious thing. He took out a plain silver watch without a band, which he kept in his breast pocket…Unlike the watch on his wrist, the pocket watch, he had explained to me, was set to the local time on Dacca, eleven hours ahead. For the duration of the meal the watch rested on his folded paper napkin on the coffee table. He never seemed to consult it…When I saw it that night, as he wound it and arranged it on the coffee table, an uneasiness possessed me; life, I realized, was being lived in Dacca first… 

The watch and the ritual was so symbolic, even more than a symbol – a direct link to his family so far away. There was love and longing in that ritual. There was hope and lonliness, worry, and despair present as well. I wanted to honor that ritual and create a talisman. 

Ganesh collage

Its not lost on me that Mr Prizada in the story is not Hindu – and I have chosen a Hindu god to go into the talisman. At story’s end he sends the family in the US, a Muslim New Year card – thus giving the reader confirmation as to his religion. But Ganesha is the “Remover of Obstacle” and there were so many obstacles, tangible and intangible, that stood between Mr. Prizada and his family, his future, his homeland. 

Ganesha watch

The piece is created inside an old pocket watch, lined with colorful sari fabric. I sculpted a Ganesh from polymer, and hand painted many layers, many details. There are crystals inlaid into the headdress as well. I am not sure what will happen to this piece – I can see it worn long with a tunic and leggings, but I can also see it as a hand held talisman. 

Ganesha watch 2

Dont let time be an obstacle. Make time for the people and pursuits that are important to you. 

 

Thanks for stopping by, I look forward to your comments, and seeing other’s book group offerings. 

Participants links can be found at Andrew’s blog. 

 

Back from Berks!

 Berks Bead Bazaar! 

What a fabulous time was had by all! There was threat of impending snow-mageddon, again… This was my first time vending at this great local show – I loved every second of it! My regrets: not buying any cabs; and not taking more pictures. But here it is: 

My territory

My home away from home: earthenware, stoneware, and polymer trays piled high. Class samples for Beadfest. And a great visit from dear friend Sally Russick. (Also great to see Sue Kennedy – who I have to thank for one of these booth pix.) 

Porcelain and glass

Porcelain and glass: (Clockwise from top left)

Louise Mehaffey, Joan Miller‘s robot cuties, Alice St. Germain beads, Joan’s sea creatures, Louise’s display. 

Marsha and Dona

Marsha Neal beads and seed pods at D7 Studios; torched copper and whimsy from Dona Jones. 

Staci !

My friend Staci and her amazing polymer creations. Happy to have her as a neighbor.

And a huge shout out to Diana of Suburban Girl Studio, and Patti Cahill – also neighbors. What a great weekend sharing time and space with these fellow artists; sadly with no pictures… 

Greg's cabs

Um – these are the cabs I wish I had… from Greg Graupp

Berks loot

But these are the treasures I did bring home! (Clockwise from top)

Top: Polymer and metal from Staci Louise Originals

Porcealin and stoneware form Marsha Neal Studio

Lampwork by Alice St. Germain

Enameled stunners from Anne Gardanne

Seed beads for my new obsession from Leslie of Twisted Sistah fame. 

Wee tiny porelain cabs from Joan Miller

Gorgeous ceramic pairs, and cabs from Diana/ Suburban Girl Studios. 

 

Thank you Joan and Louise for organizing a great show, and welcoming me into the collective. It was a pleasure, and made work truly fun! Sorry to be so breif – I have beads to go gaze upon… 

 

 

 

 

 

Many meandering paths… coming together!

MM amulets

BEADFEST 2014! 

I am thrilled to be taking the next step in my teaching career and offering a mixed media workshop at Beadfest Philadelphia this August! ( Information can be found here.) These mixed media amulets bring together metals, ceramics and polymer in a unique and colorful way. Students will design, saw, texture, and create their own personal amulet. Acrylic paint is used to accentuate the impressed designs. Whether colorful or rustic, bold or subtle – they will be gorgeous. 

The work I am am doing now is truly the culmination of many years of experience in the arts. From studying painting and metal smithing in Art school, to early experiments with sculpting polymer in the early 1990’s. I have painted and sculpted my entire life, and as my full time job for over 24 years. I was fortunate to work with Lana Wilson at Penland a few year back, and she really opened my eyes to texture. ( My Penland posts are here and here.) I am thrilled to share the things I love with a new crop of students in the Beadfest environment. 

Thanks to all who have supported me along the way, I look forward to this new exciting chapter! 

A few more pictures, you say? I value the diversity of polymer: 

Dragon transfer

Testing out polymer transfers. (Original post on Art Jewelry Elements blog)

Celtic Amulet

My Celtic amulet – contains sand and amber from the Baltic Sea.  

And just for fun: Dont laugh too hard! The early Art History inspired polymer – from my days as “Jewelry Jenny” at Appel Farm Arts and Music camp. Teaching polymer over 20 years ago… ( Munch’s “The Scream, A Klimt woman, and Medusa…)

AH polymer

Thanks for stopping by! 

 

 

 

 

Inspired by… A Rumor of Gems

This month’s “Inspired by Reading…” book group selection was “A Rumor of Gems” by Ellen Steiber

A Rumor of Gems

I had a feeling I would like this book. Gemstones appearing, magic and mystery, myth and legend come to life. These are motifs that have fueled my work and inspired me since I was a child, with renewed interest in Art School, studying on England, doing my own research… I expected the inspiration for a piece to come easily, and actually it did not… 

The book is quite engaging, filled with rich characters that have depth, revealing their secrets over time. The locale is both here and now, a city you can imagine readily, and a fantasy landscape of the imagination. I was  drawn into the story, and thoroughly enjoyed it…  

When I finished the book – I had little time remaining with which to design and create a piece. Where to start? I was drawn to the moonstone as it’s one of my favorite stones and I have a lovely cabochon waiting for a setting. But that was to easy for me, too clear cut and evident.  I try to truly challenge myself when I am doing a blog hop, an event like this. It becomes my time to experiment, to play, and to be free of the constraints of shows, schedules, inventory. To make a piece for myself – whether it is a success or not… 

The scene I found to be the most evocative was Alasdair in the Womb of the Mothers. I was thrilled to read the names of so many goddesses, with respect and reverence. They were represented as many faces of the archetypal Maiden/Mother/Crone goddess. I work with the feminine divine frequently in my artwork, surely my inspiration would come from this scene? I have a stellar piece of lapis – as Alasdair gave his personal lapis life stone to the Cat Goddess. But my Muse was silent. 

So I went back to the beginning: 

“Alasdair left the apartment at midnight, well into Hekate’s hours. She was present tonight. He had felt her from the moment the sun sank beneath the horizon, had seen her in the waning crescent of the moon, had heard her owls calling from the hills… And it made sense that she’s be comfortable here. The city was , after all, a crossroads of sorts, and she is a goddess of crossroads.” (page 25)

This was the first goddess reference in the book, and it was exciting to me… It set the tone of myth and magic come alive, of scholarly fact interwoven into the fiction of the tale. This – Hekate – was my inspiration. 

 Hekate and Cerebus

Hekate & Cerberus, Apulian red-figure krater
C4th B.C.

Hekate

Hekate is the goddess of the night, the moon, the Underworld, and magic. She is the dark moon, and with Artemis (Maiden) and Selene (Mother) makes up the Triple Goddess. (She is partnered with Persephone and Demeter in the same way). This three fold nature continues in Hekate’s associations with crossroads where 3 roads meet, and with seeing the past, present, and future. Crossroads are liminal areas, areas of transition; Hekate governs life, birth and death. She welcomes souls to the Underworld, yet carries a torch to light the way to the future. One of her symbols is a key – to unlock inner mysteries. 

The key and her role as the goddess of the Dark moon, the crone, the wise woman… was where my inspiration lay. I chose to use a large black labradorite stone – as a stone was essential based on the book – and this stone evoked the dark moon. 

black labradorite 

Hekate pendant

I sculpted a polymer pendant – three cornered for Hekate’s crossroads. The stone is set with a wire staple and then an additional polymer bezel.  It bears the marks of stars for her mother – the Titan Asteria (Star). and is crowned with 2 crescents to represent the other aspects of the Triple Goddess. A key dangles from the bottom of the pendant. The polymer is hand painted, and finished with Gilders paste for a subtle sheen. 

I plan to finish this with a necklace of gems. Moonstone, labradorite, hematite, pearls, garnet perhaps – but there was no time… 

pendant with key

gems ideas

William Blake's Hekate

“The Night of Enitharmon’ Joy” (aka The triple Hekate) by William Blake. 1795. Pen and ink, watercolor on paper. 

This is one of the iconic Art History images I always associate with the goddess Hekate. 

 

Thank you for reading my ramblings! I am sorry I did not get the piece done – I am very happy with the results – this one is for me although I may make another similar version. Please check in on my colleagues and freinds who are also participating! It should be a very inspired and inspiring selection this month after such a good read! 

Mary K. McGraw http://mkaymac.blogspot.com/
Mary Harding http://maryhardingjewelrybeadblog.blogspot.com/
Jenny Davies Reazor http://www.jdaviesreazor.com/blog/
Judy Campbell http://www.macmillanmarie.blogspot.com/
Jeanne Billeci Steck
Andrew Thornton, Laurel Ross, Terri Greenawalt http://andrew-thornton.blogspot.com/ 

Participants will also be listed here. 

 

Resources: 

Theoi

A-muse-ing Grace Gallery ( The Art of Thalia Took)

Wikipedia