Playing in the mud at NY Faerie Festival

** post originally published at Art Elements blog**

I have just returned from the land of the fae, a weekend of revels in Tatiana’s court, a Midsummer Faerie Festival. ( New York Faerie Festivalto be exact.) It is a wooded hideaway, a magical encampment, a respite from the world. It is a place where magic, equality, friendship, acceptance and joy are the rules of the day.

Last year I started a personal tradition: part installation, part art abandonment, part gifts for the faeries/nature spirits. I sculpt clay items, and leave them to be found, seen, enjoyed… and ultimately to weather and dissolve and return to the Earth.

Sitting down on a hot festival day to sculpt…

The festival site? The path from the front ate sloped uphill following a stream, through trees and glades, opening into circles and groves. My friend and vendor neighbor Shane of Mythical Designs   set up these stones a few years back – so we could decorate and make an altar of sorts. My first raw clay piece was a goddess figure to leave for Mother Nature.

This past weekend of the festival was dangerously hot – is I did not make as many pieces as I had planned. I like the keep them simple – like this fairy with fern wings.

I had to make a wee frog for Scott Helland– there performing for the weekend. Although technically not an official Frenchy and the Punk“batfrog” it was close…

This one I was excited about – I wanted to put her IN the water:

She started to dissolve – sadly the heat caused this little rill to dry up and get rather muddy so I have no good pictures of her later on…

The Faerie Festival Community as a whole is supportive, accepting, inspired, and inspiring. Creativity in all forms is held in high regard. And play, the need to play and nurture joy. My friend Illya stopped by to sculpt. She is a musician, belly dance, fire spinner… among many other things!  She sculpted these three – then scattered them to be found. Illya reported in on FB as to the fate of her pieces :“I believe that the stream cla(y)imed one goddess rather quickly… the acorn was still intact on its rocky forest bower, another goddess left (along with the lovely log she was nestled in)… I believe a greenman met with a smouldering dragon…”

My friend and former teacher’s aide Emma is a potter as well – so you KNOW she had to get in on this. Here are her 4 pieces – photographed in situ. All we have to document this tradition are photographs and memories. Its the process of playing/sculpting with no pressure; the treasure hunt, the surprise of noticing a piece…

In addition to my “art abandonment” sculptures – the NYFF has a long history of mud Green Men sculpted on the trees. Initiated, I believe, by Shane with others contributing to the paces at times. These are the quintessential art installation! Using only mud from the street, plants and stones – it truly is magic taking form all around you.

Shane starts a face, with pebble teeth.

Although mud moves very differently than clay, potter/sculptor Kim Fritts was eager to get her hands dirty!

Dryad face? Mother Nature? Kim at work!

Kim’s finished duo!

Now I guess I need to return to the mundane world, of post festival laundry and getting ready for a show this weekend. But keep your eyes open! There is magic – and art – all around you.

 

Magic in mosaics

So – earlier this week I mentioned “art camp” as Lesley and I had taken to calling it. And how we went to the AVAM. ( My first time!). So the week of our vacation held another local/art/field trip first for me. Isaiah Zagar’s Magic Garden in Philly.

I knew Zagar was a tile/mosaic master and eccentric visionary type artist. ( He even taught a work show earlier this year at Hacienda Mosaico in Mexico) I knew he had many public works around the South St. section of the city. I was prepared to be delighted. I was in actuality inspired and blown away.

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Full scale wall mural installation on the same block as the Gardens. Note: dogs! 

There is a sense of freedom and chaos in the murals – yet they are all designed to have composition and flow. There are commercial tiles integrated amidst fragmented industrial tiles and artists OOAK tiles. There are mirrors in abundance to play with light and reflection; incorporating the viewer into the piece… and a chance for random mosaic selfies, I will admit.

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I was completely enchanted with other ceramic pieces incorporated into mosaics in such a non traditional way. 

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The inner courtyard at the PMG is simply… epic. 

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Art is the center of the real world. 

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This sanctuary to be inhabited by my ides and my fantasies. 

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The garden is excavated down and interlocking pathways are built of concrete, flotsam & jetsam, found objects… 

The gardens were a personal piece that Zagar worked on  – the space was his studio – for app. 8 years. When the land owner wanted to sell/demolish the installation, a grassroots community organization saved the PMG, and it now functions as a non profit organization. I would recommend it to anyone, tourist or not, artist or not. Its a momentous undertaking that is impressive, inspirational, fun yet gritty, filled with joie d’ vivre.

I’ll just sit and watch the clouds roll by and ponder the meaning of life… and how mosaics may feature in new work this fall…

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Inner visions, Inner Harbor

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The American Visionary Art Museum in Baltimore. 

Why had I never been here before? 

Last week my friend and blog colleague Lesley Watt was visiting. We had planned our vacation art camp with a mix of field trips and artwork projects. The weather was so insanely cooperative – very unlike late August/early September usually is… So our first adventure was the AVAM in Baltimore, on a glorious temperate, blue-skied day…

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Mosaic bluebird of happiness. 

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A museum is covered in installations.

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Bunny! On the “Magic Bus”

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This mosaic Cosmic Galaxy  egg was breath taking. It even incorporated images from the Hubble telescope. ( Artist: Andrew Logan)

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The Museum grounds are outstanding. Sculpture, installations, fountains, gardens. I felt completely enchanted before we even entered the museum.

 

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A sense of fun, a tranquil enclosure… 

There are many instances where words or a quote stop you in your tracks. I did manage to capture a few heartfelt phrases.

There is no photography allowed in the museum, so you are seeing pieces from the grounds, and in the mirror below a stealth pix of Lesley in a mirrored mosaic. The blue sculpture above? Entirely beaded, representing John Waters and Divine as a folk art weather house – you know – where figures emerge and disappear depending on the weather readings?

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No pictures allowed IN the museum, but the bathrooms were fair game! 

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In the gardens between the buildings. A true oasis in the city. 

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Need I say more? 

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Amazing views from the AVAM Bird’s nest balcony

After the museum we headed to the Inner Harbor for a tourist browse and then dinner. Crab cakes, naturally.

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The Inner Harbor – then off for crab cakes! 

Lesley has posted regarding the adventures over at Art Jewelry Elements. Take a look at her pix! And stay tuned for more here, later this week!

DEFunADay! This Friday at the DCCA!

February is the shortest month. 

28 days. 

The Delaware Fun-a-day project is simple. Create something each day. Exhibit them. Its a free, volunteer run event, and I cant wait to see everything this Friday. The opening is at the Delaware Center for the Contemporary Arts at the Riverfront in Wilmington, from 6-9pm. 

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Since February starts with Imbolc/Candlemas – the feast day of Brigid… I decided to do sculptures. Goddesses, clearly. The Celtic goddess Brigid was a fire goddess: the fire of the forge, the creative fire in the head, and so, to me, the fire of the kiln as well. I was inspired by ancient and archaic goddesses from all cultures, from teh Venus of Willendorf through Cycladic idols. It was a great pleasure to sculpt freely, with few limitations. I kept the size small both to keep them intimate in scale, but as a logistical, practical requirement to the Fun A Day project. 

I have a few orders for goddess cabochons, to be used in jewelry, and I do foresee making more of these simple, evocative figures in the the near future. 

Hope to see you on the 6th at the DCCA! 

 

 

A cup of joe? NYC installation/inspiration.

If you know me, you know I love coffee. If you have met me, even if you havent met me, you probably know that about me. While we were in NYC last weekend, we literally stumbled upon this great installation. No, really. We came up on the Flatiron Building from its less iconic side…

Flatiron art space

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This is what I saw first. What is this pile of markers and cups? What is going on here? 

Oh heavens! I love it! Each one an individual work of art, suspnded, slowly turning…

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I wish I had been able to see the artist working; interacting with, or ignoring passers-by. Would regular New Yorkers stop, and notice? 

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There were designs, landscapes, portraits, street scenes. I could have remained captivated for hours, coffee in hand…

The artist’s name is Gwyneth Leech. She works in the space Tues. – Sat from 11-2 pm. The exhibit/installation, titled “Hypergraphia: The Cup Drawings” began in September, and runs through the end of this month. I haven’t had a chance to check out the website yet, but I fully intend to. So glad I chanced upon it. It was refreshing, and entertaining, and visually pleasing to be sure!