Delighted in Dorset…

Part 1 of 3.

This  January I spent a magical week in and around Dorset visiting my friend Lesley Watt. 

If you know me or are familiar with my work, you may be aware of the currents of magic, myth and folklore that run through all I do… So this trip was part vacation, part art retreat, part creative interlude. It was restorative, invigorating, inspiring, and immensely fulfilling. The creative seeds planted this one week will grow all year…

But for now – let me share a few ( or many!) images with you.

The village of Burley IN the New Forest. ( Day 1)

The New Forest was established in 1079 by William The Conqueror. ( Yes, THAT William the Conquerer.) In villages throughout the NF, “Commoners” or residents hold the same rights to access/grazing/resources as their early Medieval predecessors. The New Forest ponies roam free, and are loosely managed by the “verderers”. The town of Burley has numerous ties to witches in history, namely Sibyl Leek and Gerald Gardner…

The New Forest itself – with its history, landscape, biodiversity… has captured my imagination. I have been starting to read up and work with images inspired by the Celtic Tree alphabet – so this dovetails in rather nicely. Although I was there in Winter, the gorse and broom were blooming. The ponies were wearing their shaggy coats – and as you see a gorgeous blue sky appeared.

Corfe Castle. ( Day 2) 

Again – Norman in historical time period. ( I DO like OLD stuff.) Begun by William the Conqueror in 1090; finished by his son Henri I in the early 1100’s. These majestic ruins command the skyline, and its placement as a fortress is evident!

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Im sure there are sprites and pixies living in that tree.

The gentle hike up to the castle and the village was like walking into a fairyland. So much free, mosses and lichens, a stream cascading… And you arrive in Corfe Castle village.

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Rather timeless when cars aren’t pictured…

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The ruins are not overly protected. Visitors are trusted to act and tread carefully. I was enamored with all the unobstructed views.

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There are currently ravens nesting high up in the tower wall. And a flock of jackdaws kept us company.

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This. As lino print. As weaving. As ceramic tile. This!

Then a fabulous lunch… and one more historical marker.

This made me chuckle, incredulous. This stone marks the millennium of a regicide. And even that was 40 years ago!

We left Corfe Castle – and drove back towards Bournemouth via the Isle of Purbeck and Studland Bay. ( Isle of Purbeck as in Purbeck stone of which Corfe Castle is built.) Weather was cooperating – so we did a little beach combing on Knoll beach… I could see white chalk cliffs and even the Isle of Wight in the distance.

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Time to head home after a stunning inspiring day. Then THIS happened:

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That late afternoon light!

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Again – so much inspiration here!

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Greens in January made me so happy.

The third day was a day spent at home, in the studio! Sketching, collaging, and working on my travel journal. ( Stay tuned for that.) Then to the pub for a proper Sunday dinner. A cute pup, a delicious Dorset cider, and Yorkshire pudding ( not pictured.)

Stay tuned for the next installment that includes magic, alchemy, camaraderie, and more!

 

 

Blank slate

The beginning

I find it both exasperating and exhilerating to start a new sketchbook. 

I am aware of the places I will go, the ideas I will have, the inspiration, the magic that will be housed in those pristine uncharted pages. 

But I feel sorrow having to put aside the book currently filled with the same. A chronicle of where I have been, classes taken, ideas hatched, lists made, and sketches… I will miss the former book as an old friend that has moved away. 

the canines

collections

sketches notes

Here’s to odeas and inspiration. And thoughtful musings on this grey autumn day. 

History Hop… My Medieval muse, my Celtic roots.

Hop to it! (Just a wee pun for our hostess, Leah of Beady Eyed Bunny…)

The brief – select a period of History – which in and of itself was a HUGE challenge for me. I liked and was inspired by so many… and create a piece inspired by that time, those people, their materials, their style…The choices: 

I had to choose Middle Ages/Medievel. In my minds eye I was seeing enameled pieces from Sutton Hoo, golden torcs, spirals, amber, pearls…My Celtic heritage was not going to be passed over. But gold – not going to happen. 

Celtic inspirations

My Celtic heritage has been a great influence on my work since I studied abroad while in  college, living and traveling on the soil of my ancestors. I designed and created Celtic penannular brooches in my final semesters studying metals in college. I wanted this piece to be informed by and inspired by – yet be modern, and reflect my current tastes in mixing materials and making pieces with meaning and intention. 

The Celts wore amber. and quite a bit of gold. They enameled, and created intricate knotwork designs, both geometric and zoomorphic. Knotwork seemed too obvious. Amber… My parents had given me a tiny bag of sand and raw amber chunks they collected on the beaches of Skagen, Denmark. I became intrigued with the idea of encapsulating the amber, so it moved freely within an amulet. 

But thinking on Celtic art, I was also thinking of runes and ogham script. In my associations, runes are more Scandinavian while Ogham is more Irish/Welsh. I usually include text in my pieces – so ogham was a must. I perused books in my personal library – La Tene period, Hallstadt…

Ogham stone Ogham

Sketchbook

The plan was to inset a plastic lens into faux bone thus creating a niche for the amber. I started that – last Wednesday. Not going to happen in the time I had remaining. Plan B – polymer. I have recently been reintroduced to polymer by the multi talented Christine Damm. I knew it would do exactly what I envisioned. 

polymer process pix

Top: working. Ivory polymer. 

Bottom: Ogham writing around pendant. Copper overlay to be sawed. Amber and lens in place. 

The pendant

Here is the finished pendant! Three chunks of amber for the Goddess of the Celts – in her three forms of maiden, mother, and wise crone. The Triquetra – a three lobed symbol, also representing trilogies – body, mind, spirit; earth, water, sky; youth, maturity, age…… The ogham translates as “Goddess guide me”. The back – a subtle pattern of knotwork and a central triskele motif. 

Back of pendant

I had intended to pair this with amber beads. I am not sure. I have taken pix with a few different gemstone combinations. What do you think? 

1. Amber 2. howlite and emeralds

1. Amber 2. Howlite & emeralds

3. aquamarine & emeralds 4. Labradorite, howlite emeralds

3. Green aquamarines & emeralds 4. Labradorite, howlite, emeralds…

 

Please tell me what you think… I am thrilled with how this turned out, and thank Leah for initiating this challenge. I think I have a few more pieces rolling around in my head still! Please check out my fellow participants and their historical inspirations. (I may be late to the hopping, everyone! Teaching all day today. Monday over coffee at the latest, but I will jump in my Time Machine and meet you there. ) 

Ahowin – Art Nouveau www.blog.ahowinjewelry.com
Alicia Marinache – Victorian http://www.allprettythings.ca/
Becca’s Place – Renaissance www.godsartistinresidence.blogspot.com
Beti Horvath – Ancient Egypt and Art Deco www.stringingfool.blogspot.com
Cherry Obsidia – Ancient Mecynae Greece www.cherryobsidia.blogspot.com
Cooky – Renaissance www.shepherdessbeads.com/Blog.html
Jennifer Davies-Reazor – Medieval www.jdaviesreazor.com/blog
Kathleen Douglas – Indus Valley www.washoekat.blogspot.com
Kashmira Patel – Etruscan www.sadafulee.blogspot.com
Lady Grey – Victorian www.beadsteaandsweets.blogspot.com
Laney Mead – Pre-Columbian www.laney-izzybeads.blogspot.co.uk
Leah Curtis – Ancient Roman www.beadyeyedbunny.blogspot.co.uk
LiliKrist – Persia www.lilikrist.com
Melissa – Mesopotamian www.design.kcjewelbox.com
Melissa Trudinger – Art Nouveau www.beadrecipes.wordpress.com
Micheladas Musings – Ancient Romans www.micheladasmusings.blogspot.com
Sandra Wollberg – Art Nouveau www.city-of-brass-stories.blogspot.com
Sharyl McMillian-Nelson – Art Deco www.sharylsjewelry.blogspot.com
Tracy Stillman – Victorian www.tracystillmandesigns.com

 

 

Is your passport in order? Challenge of Travel preview (Part II)

Tomorrow is the big reveal – Erin’s Challenge of Travel. Yesterday I shared information on famous German figures in science, literature, music. Today – the arts. When I was in art school, getting a minor in Art History was a done deal. Literally! I had the credits almost completed after taking Art History electives. Art geek. That’s me!

There are so many German artists whose work I respect, especially when taken in context of history. How they were influenced by their patrons, reaction to events of the time… Art is propoganda, art as expression, art as cultural vehicle…My short list included Holbein, Caspar David Friedrich, Hans Hoffman, Kathe Kollwitz, Eva Hesse, Anselm Keifer… But I narrowed down to artists whose work I respect AND find visually compelling, evocative, inspirational…

(In no particular order)

Albrecht Durer – printmaker and painter. 1471-1528. 

Melencolia by Durer Young Hare by Durer

Melencolia I             1514.                   Young Hare                         1503. 

 

Franz von Stuck – Symbolist and Expressionist painter. 1863 – 1928

von Stuck's Spring  von Stuck's Sin

Spring                    1909                        Sin                               1893. 

 

Emil Nolde – German Expressionist painter. 1867 – 1956

Nolde Nolde's Moonlit night

The Sea                                                Moonlit Night                   1914. 

 

Kurt Schwitters – Dada and Surrealist painter and collage artist. 1887 – 1948. 

Schwitter's Miss Blanche Schwitters collage

Merz231 Miss Blanche 1923 Merzbild – for Alf Gaudenzi

 

Karl Blossfeldt – photographer. 1865-1932. 

Blossfeldt Blossfeldt

 

Sulamith Wulfing – painter and illustrator. 1901 – 1989. 

Wulfing

 Wulfing

Hope you enjoyed that ecclectic sampler. Stay tuned tomorrow to see my piece. And I will tell you – all that I have posted in the last 2 posts – not what influenced my piece at all. Hmm. What a tease…

 



Start packing your bags… Challenge of Travel preview

This Saturday is Erin’s Challenge of Travel blog hop reveal. Its a creative challenge to create a themed piece – in this case the country of your choice. Germany is mine. Not exotic, not a place that is known for a different design aesthetic – like  Japan or Aboriginal Austaralia. German is a large part of my heritage (along with Irish, Welsh and Scottish. Full Celt!) yet I have never been there. It is the British Celtic lore that inspired and informs my artwork. So in reading and researching Germany – I wanted to share some of my finds. 

Part I – Thinkers, musicians, architects. 

The Brothers Grimm – linguists and cultural ressearchers, most well known for their collections of folklore. 

Grimm stamp Snow white folk art stamp

Frau Holle stamp Bad fairy stamp

Johann Wolfgang von Goethe –artist, writer, and politician.

  Goethe stamp

Richard Wagner – composer and conductor. Retold Germanic myths in “Der Ring des Nibelungen” (The Ring of the Nibelung)   Wagner stamps 

Rackam's Brunhild

(Brunhilde the Valkyrie – A. Rackam 1910)

Martin Luther – theologian and religious reformer

Luther stamps

Johann Sebastian Bach & Ludwig van Beethoven – Classical composers extraordinairre

Bach Stamp Beethoven stamp

Albert Einstein – theoretical physicist, developed Law of Relativity. 

Einstein stamp

Walter Gropius – pioneering architect, founder of the Bauhaus School. 

Bauhaus stamp

Mies Vander Rohe – Pioneering architect, “master of Modern Architecture. 

Mies stamp

( I apologize for not linking them all – but any can be found readily in Wiki for more info)

The stamps as illustrations was a happy accident – and so much more. I kept finding stamp images which were so apropos at documenting and honoring German figures from history and culture. So I searched out ALL stamp images. But what could be more perfect as a souvenir of travel? As  a child I took over my Dad’s stamp collection. His mom, my Grandmom always requested postcards when we traveled, especially our first school trips to Europe as teenagers. I myself have made it a quest to buy stamps on Carribean islands, the Owl post in Hogsmeade… not for use but to collage. I am an inveterate collector of paper ephemera, ticket stubs, wrappers and such that I collage into my travel journals. So let this post whet your appetite – for travel or for the upcoming reveal – hopefully both!

Tune in tomorrow for German artists! 

 

 

 

Reclaim. Reincarnate. Recycle.

Britannica 1

Britannica 2

When we were growing up we had an Encyclopedia Britannica. It wasn’t always the best reference then – as it was from 1949! Some things were accurate, others not – but it was a starting point for my siblings and I as we researched our term papers… taking notes longhand, in the old fashioned days before the Internets arrived. (We did not however, have to walk two miles to school, uphill both ways. We aren’t that old.) The set had been my mother’s, and came to us from her. It is a classic – leather bound spines, the delightful thin paper that whispers as you turn the pages… Fantastic diagrams and illustrations, in black and white – naturally!

Britannica 3

Britannica 4

The entire set had been languishing in my parent’s  garage. Not the best environment for books – but many people would have let go of the set by now – some thirty years after it was last used. Not us – we are a family of keepers. You never know when you might need that ________later! And I have now decided I need that set of encyclopedias. ( If you are squeamish at the talk of dissection and destruction of books, don’t read on…) This set – it is a treasure trove. I can select pages and diagrams to use in collage for their content. I have volumes of pages to use as text alone; when the subject matter is not inspirational or pertinent to the piece. 

Britannica 5

I keep finding flowers I pressed years and years ago. Was this special? Or simply the budding artist inspired by the natural world surrounding her? ( Pun intended.)

Britannica 6

That little boy cracked me up. Featured on the “Art Education” page of all ironies. Is he concentrating or just plain grumpy? 

I have torn the first pages out. I am working on a fundraiser for my town of Newark. More to come soon. On other topics – the first session of clay camp has ended. Much teacher work to do to finish up from session one and prepare for session two. Thats on next week’s agenda. For now – it is off to St. Peters Art Show in Lewes DE. Will I see you there? Regardless – have a great holiday weekend!

A to Z: background

( Sorry. I was sick last Friday. So this is the first of two “B” entries. I will catch up soon – since I have so many letters and only so many weeks…)

a : the conditions that form the setting within which something is experienced (1) : the circumstances or events antecedent to a phenomenon or development (2) : information essential to understanding of a problem or situation c : the total of a person’s experience, knowledge, and education. 

When I made the original list, ‘Background’ wasnt on it. But it has been on my mind of late. How did I get here? How am I a sum of all my experiences? How has my work has evolved over time? How have friends and colleagues of mine enter the creative life – early or late? How did a particular artist get to where they are now? What is their background, experience, training?  Where did they start? When did they discover their path?  Hard work? Knowing the right people? Vagaries of fate? 

(One element of my musings delves in to craft vs art. Artist vs craftsperson. Art training or self taught? For now, that is something I am keeping to myself. Its a treacherous topic at times. I am not Pandora to open that particular box today. )

But to honor this curiosity – to look back on the road I have traveled… I thought I would revisit  parts of my background.

I was making and drawing quite a lot – as I remember it – as a child. I was encouraged, moderately. I never had lessons of any type, but my family was receptive and encouraging. I had quite a bit of freedom to explore in High school. Painting, enameling, ceramics… and the freedom to work independently. While that thrilled me no end – my interest and creative drive that earned me the freedom,  at times it meant that I was  missing out on the fundamentals. I wasn’t honing my drawing skills in still life compositions, I wasn’t finessing my paint handling abilities. And while that may have been a bit of a detriment as I entered my freshman year as an Art major at Skidmore – I had chosen a Liberal Arts college to nurture the Renaissance woman in me.  Strong in the visual arts, but not to the exclusion of literature, history, mythology and the like. I could make up for lost time. 

college pntg  

I thrived in the art building, my second home. I was an art geek, working long hours, switching from one studio to the next to complete work.  I had the foundation classes in design, drawing and painting. I designed and printed textiles, I threw pots and sculpted, I wove tapestries, I fabricated and cast jewelry in metal. I studied in London; painting and photography. I sampled Classics, mythology, women’s studies, I devoured  Art history tomes, and nibbled on poems. (Can I admit this was the era before the Internet? That puts it in perspective, huh? ) How wonderful to live and breathe, and sleep and eat art and Art History?!

My Senior show – the culmination of my learning and experience… my best artistic offerings to date – Paintings, a suite of photos, and Celtic inspired pieces, brooches and a bracelet. Very much influenced by my time in England, but that is another post!

Celtic brooch 1 Celtic brooch 2

I dont paint much anymore. For years I thought it was my medium. I was teaching Art full time, and not doing much of my own work…

Pomegranate series

I applied to Grad school. And I was rejected – twice. The Universe tried to make it clear, very clear, that oil paint wasnt my chosen medium. The rejection from the painting program at MICA led me to the Ceramics studio. And in a summer of throwing, sculpting, glazing, and firing – my first shrine came to be. 

Early ceramic shrine

( Not technically the first, but an early ceramic shrine from the MICA years…)

Thank you rejection. I am very happy working in mixed media – with all the materials I could ever think to incorporate. I no longer need turpentine, and linseed oil, and brush cleaner, and canvas stretcher bars. I am glad you led me to this place. 

I am proud of my experiences and my accomplishments. I am thankful that I recognized my creative self in my youth, and that it was recognized in me by others. Recognized, nurtured, pursued…  I value my college study immensely. I have a strong foundation, an informed perspective, a wealth of experience. I have been creating, making art, studying art my entire life. I respect the artists who come to art later – switching careers, finding a new path, and embarking on it as an adult. But it is a very different place to be, to speak from, to create from – when you have been seeing, thinking, studying, doing… for your whole adult life. This creative path, a creative self isnt who or what I have come to be. It is where I have always been.