Coming out of hibernation… new tile designs

This has seemed like the longest winter and the shortest winter! But Spring has finally sprung – even with Her last gasp of icy weather. I have not been idle – even thought the posts here have been sporadic. With the new season awakening  I will breathe new life into this blog!

Since this is the time of year when I have no real shows to speak of – I have been designing and sculpting new tiles for my Mythic Nature line. Here is a visual journal of the 4 new designs – and one revision. These designs will be available starting with my show at Spoutwood Farm’s May Day Faerie Festival! 

The triple raven design will be a nice partner to my Triple hares design. I left the bird bodies free of feather/texture as I can customize that by hand. Some will be painted with feather detail – others will be glazed in glazes that “break” over texture.

IMG_2801.jpg

Mandrake tile in progress

The Mandragora – or mandrake tile is a new vision of a motif I had before. The previous version was from a Medieval woodcut. This is a more organic version – with leafy swirls and tendrils. The text will be carved into the scrollwork individually.

IMG_2466

” A book is a dream…” sketch

Neil Gaiman said: ” A book is a dream that you hold in your hands.”  This dreamy tile was inspired by things I love: pets, coffee, books… While I do not currently have a cat, it embodies cosiness to me. All the creatures, sharing space on a lazy relaxed day filled with fabulous reads. And coffee. Always coffee. This tile  – Im really excited – to do patterns in the armchair! Textures! Sgraffito! Glazed patterns!  SO many ideas.

IMG_3004

Sculpting the forms.

A fairy door – just testing the mold here. Matte finishes, speckles of moss and lichen on the rocks. Metallic glazes on hinges….

IMG_2930.jpg

And this is new for me. Last year I created a commemorative design, an Art Nouveau faerie, for the 25th anniversary of Spoutwood’s Faerie Festival. ( If interested – email me – there are still a few available.) I loved the figure – and decided to adapt the design for continued use. I see her with starry sky behind, holding the moon. I see her as an Earth spirit with a globe. I see her with florals, or leaves, or an orb of fire. Stay tuned!

I’m really excited and invigorated with this new body of work. I have fallen in love with clay again. Please sign up for my newsletter if you are interested in new work-in-progress pix and news of upcoming shows! (Sign up on the top left. ) 

For the love of lino…

 This week is brought to you from the Dining Room table, my new temporary studio. I am tending a furry kid, who needs darn near constant watching… as he worked long and hard, in stealth, to remove his sutures. He is an angel IF I am in the room. 

DR studio

I have been working on my daily art journal cards – the ones to fill my vintage Rolodex. And I have been carving linoleum. 

Lino desk

There are new Celtic and mythic designs in the works. These lino blocks can be pressed into clay to create a detailed, low relief tile. Perfect for painting! There above – the Uffingtom horse, an ancient chalk figure from Britain. Below: previously carved Celtic knot, swirly cresent moon, with a test print of sorts, and a small triskele, perfect for pendants. 

Love Lino collage

I have always loved linoleum printmaking. And this was a focus of mine in San Diego when my ceramcis studio access was severely limited. I have been incorporating linoleum carved designs into my beads/pendants for a while, but I had a wonderful lightbulb idea… to create prints and tiles in tandem. My original drawings, whether my designs, or historical references; pressed into clay, printed onto paper. Working in a series, different colors, maybe some hand tinted prints. The idea is very exciting to me! (I wont be able to take these to all my shows as some jury processes are more limiting than others… )

Pendant designs

A trio of Celtic designs, all under 2″. I want to test them in clay today! 

Uffington stamp

Working in parallel series – the Uffington horse. Pressed into clay the horse design will be raised, allowing me to easily glaze the background and keep the horse white. 

 

Ok – off to the studio, I mean the dining room. I love my job! Stay tuned for test prints and test pressings on the FB page ASAP!

 

Clay and linoleum – an unlikely duo?

Update from the studio… 

!. Glazing all day. 

2. Bisque firing what may be last load before Beadfest. 

3. Mopping up basement as its a monsoon out there. 

4. Waiting… to unload new goddesses from the ^10 reduction firing at the “work” studio!

And thinking of printmaking. 

My friend, fellow clay artist and AJE member Diana P. wrote a post this week regarding her foray into carving stamps. She is working with EZ carve – similar in consistency to white erasers. Its great to carve, but a little springy. Too soft for what she wanted to do in clay, but great fun nontheless. 

So I decided to share some linoleum I had carved, and stamped into clay. This is the economy “battleship” linoleum that I used to use when I taught art/printmaking as a public school teacher. Its shallow but very firm and worked well for my new dseries of icons. 

Lino pendants

Yin Yang and Om signs in clay – awaiting finishing.  

carving area

Here’s my carving area, complete with bench pin, and a few other “icons” in progress. This series I designed to keep simple and have the symbol itself be very clear and legible. I like the texture the carving leaves – as contrasted to the smooth background surface. These are going to be glazed in an array of colors… 

Fairy door tile

And one more example of linoleum and clay in tandem: this is a clay tile/print from a linoleum block I carved in San Diego. When I lived there I had an amazing artist/mentor in Sibyl Rubottom. This was from a printmaking and letterpress workshop I took at her studio, Bay Park Press. It was carved to print  and accompany text set in letterpress. And so I tested it in clay – was thrilled the depth was sufficient to give me a print to glaze. This was the test piece; I plan to do more for my fall shows. 

I am excited to be able to draw on the creative energy of that fruitful time – although I work in such different materials. I am glad the block carved 10 years ago and across the US can be reborn here, now. In many ways my series of “Mythic Nature” tiles and pendants are similar to a run of prints… but that philosophical musing will wait for another day. I have more to glaze…